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Saturday, November 30, 2024

Pooches in pullovers strut their stuff at London's canine Christmas sweater parade

Repost Ent dalamlima.blogspot.com

LONDON -- Pooches in pullovers paraded past Buckingham Palace on Saturday for a gathering of dogs in Christmas sweaters to raise funds for rescue charities.

About 130 pets, and their owners, walked Saturday from St. James’s Park and along the Mall, the wide boulevard that leads to the royal palace as part of the Christmas Jumper Parade.

Prizes were awarded for best-dressed pets, with contenders including canine Santas, puppy elves and a French bulldog dressed in a red beret and pink jacket adorned with red bows.

The event was organized by Rescue Dogs of London and Friends to raise money for charities that rehome dogs from overseas.

Christmas sweater animal parades have become something of an annual tradition in London. There are more to come this year, including an event for corgis -– the late Queen Elizabeth II’s favorite breed — on Dec. 7 and the dachshund-friendly Hyde Park Sausage Walk on Dec 15.

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Pooches in pullovers strut their stuff at London's canine Christmas sweater parade
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December 01, 2024 at 11:41AM

Face facts: Statues of stars like Kane and Ronaldo don't always deliver. Sculptors offer advice

Repost Ent dalamlima.blogspot.com

LONDON -- One art critic compared the new Harry Kane bronze statue to a bulging-jawed comic strip character.

In Miami, observers say the Dwyane Wade sculpture looks more like actor Laurence Fishburne than the former basketball star. Of course, the infamous Cristiano Ronaldo bust in 2017 gave the chiseled soccer star a chubby face and goofy smile.

A statue of Mohamed Salah in 2018 depicted the Liverpool star with a disproportionately large head. In 2011, a terracotta warrior statue of Andy Murray at a Shanghai tennis tournament drew chuckles, including from the star himself: “I thought I was better looking than that."

It wasn't always this way. In classical times, sculptors “had absolutely no interest in depicting people accurately,” explained Lucy Branch, a London-based sculptural conservator.

“What they ended up doing quite often, they recycled sculptures so when another athlete became more prominent, they just changed the name on the plaque,” said Branch, host of the “Sculpture Vulture” podcast.

“There’s this idea now, in this era, that commemorative sculpture should be like portraiture — it should look exactly like the person they are commemorating. But actually that's a really new idea in sculpture."

To avoid pitfalls, here are some tips from sculptors:

London-based sculptor Hywel Pratley studied countless images of Queen Elizabeth II to create a memorial statue in the East Midlands town of Oakham.

“A good portrait sculpture is evidence of 1,000 decisions after 10,000 observations,” Pratley said.

In addition, Yorkshire county sculptor Steve Winterburn recommends getting close with a subject's family and friends to help find characteristics.

“You don’t want it looking like a Madame Tussauds,” said Winterburn, who created a statue of five Rugby League greats at Wembley Stadium. “It still needs a bit of art in it, a bit of soul. That’s what makes art really sing.”

The Ronaldo bust depicted the Portugal star smiling crookedly. Likewise, the Salah sculpture features the Egyptian smiling while celebrating a goal. In Miami, Wade's mouth is open in the statue representing the moment the player famously jumped onto a courtside table and yelled “This is my house.”

It's probably best avoided.

“It’s really difficult to do teeth looking good in sculpture,” Pratley said.

Start "by understanding the profile" before moving on to determine widths from the front view, Pratley said.

“Get the profile right and you will have won half the battle, because then you can have something at least that you can trust,” he said. “When you’re lost, you can say, ‘well I knew where I was then,’ — and you will get lost as a sculptor in the forms.

"There’s so many to understand. It’s not two dimensions, it’s three. There’s an exponential opportunity for everything to go wrong. If you’ve got the profile, then you can go forward with more confidence.”

Winterburn tries to make the eyes “come alive” in his work.

"The eye is the soul of the person that carries it," he said. “If you look at a lot of public work, I’m not being funny, they’re dead. There’s nothing in them, they’re just featureless, soulless. With a painting, if in doubt, fade it out. With sculpture, there is nowhere to hide."

For Pratley, especially when he is working with a live model, “I’m often struck by how the absolute essence of somebody is somewhere between the nostrils and the mouth. The flicker of muscles and the subtle movement of muscles around the mouth is so much you — it’s so much that person.”

Commemorative sculpture historically has been on plinths, Branch notes.

“Part of the reason for that is because we put our heroes on a pedestal," she said. "The problem is, the lower to the ground the sculpture is, the more scrutiny it’s going to get and the less it can get away with not looking quite right.”

The Kane sculpture features the England captain seated.

“Being so low, people get to look at it incredibly closely,” Branch said. “It’s trying to get sculpture to be more with the people, but then that comes with its own problems.”

In the UK, local councils — like a city council in the US — might propose a project, fund it and select the sculptor, sometimes with little input from the public and limited vetting of artists.

Branch says there's a better way: Vote on it.

That's what happened for the Emmeline Pankhurst statue in Manchester. A selection committee used an online platform to get public input and Hazel Reeves' proposal to honor the suffragette won.

“It is a really good balance and check for whether people on the committees have chosen the right sculptor or the right composition for that person who is being commemorated,” Branch said. “(The public) may not necessarily be highly educated about sculpture, but they always tend to know whether the artist has hit the nail on the head.”

___

AP soccer: https://apnews.com/hub/soccer

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Face facts: Statues of stars like Kane and Ronaldo don't always deliver. Sculptors offer advice
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November 30, 2024 at 10:26PM

Friday, November 29, 2024

Yacht rock gets celebrated — smoothly, of course — in new documentary

Repost Ent dalamlima.blogspot.com

NEW YORK -- The stress of Thanksgiving is over. Now it's time to heat up leftovers, relax on the couch and enjoy the smooth sounds of a wrongly mocked music genre: yacht rock.

The late-'70s songs of Steely Dan, Michael McDonald and Christopher Cross take center stage Friday in the well-crafted Max documentary “Music Box: Yacht Rock: A DOCKumentary.”

Director Garret Price marries interviews with yacht rock artists, current musicians who are fans and the creators of the parody web series who coined the genre's name in 2005.

“This music is the soundtrack to our lives, whether we want it or not. It’s playing in grocery stores, pharmacies, doctor’s offices, elevators, our parents' cars our whole life," says Price. “I kind of took it for granted because it’s just there. I think a lot of people have abandoned this music and I’m hoping those people rediscover it.”

So who exactly made yacht rock? The experts in the film argue it is Toto, McDonald, Kenny Loggins, the Doobie Brothers, Cross and Steely Dan — described as “the primordial ooze from which yacht rock sprang.” Think songs like “Ride Like the Wind” by Cross, “Reelin’ In the Years” by Steely Dan and “Rosanna” by Toto.

What’s not yacht rock — at least according to the filmmakers — is the Eagles, Hall & Oates, Jimmy Buffett or Fleetwood Mac, who don’t perfectly fit the definition: elevated pop music infused with jazz and R&B.

Cross, McDonald, Loggins and Toto’s David Paich and Steve Porcaro discuss the music and how they handled the label. Donald Fagen of Steely Dan only had a short phone call with Price, but allowed the band's music to be used.

“I had this film basically done except for the Steely Dan music syncs and it was sitting idle for months and was like, ‘I don’t know how to tell this story unless I get this music.’ Lo and behold, we finally hear from Donald Fagen,” says Price. “We have this moment that I don’t even know if I could beat if I had a sit-down interview with him.”

Giving context are musician-comedian Fred Armisen, musician-author Questlove, musicians Thundercat, Brian Robert Jones and Brenda Russell, producer Prince Paul and rock critics and session players.

Questlove opens the door to a less restricted definition of yacht rock, adding artists like Al Jarreau, the Pointer Sisters and George Benson, arguing that the genre isn’t limited to white artists.

“When you’re dealing with a completely arbitrary genre like this that got made up completely, that’s kind of the beauty of it — the debates of what is or isn’t,” says Price.

Yacht rock enjoyed a brief window on the charts in the late 1970s and the documentary argues that MTV largely contributed to its demise. Yacht rockers weren't able or willing to transition into a visual space.

Once that window closed, yacht rock became derided — mocked in everything from “30 Rock” to “Family Guy.” In “The 40-Year-Old Virgin,” a character tortures her electronics store co-workers by playing McDonald on a constant loop.

“I feel like these artists have always been kind of punchlines in pop culture,” says Price. “I went in saying, ‘I want to make a fun film but not make fun of anybody.’”

The label “yacht rock” came much later thanks to a comedy series of short films by J.D. Ryznar and Steve Huey, who currently lead The Yacht or Nyacht Podcast. They were hoping to win a contest with their short films and the name took off.

“This is kind of a private in-joke that sort of went global all of a sudden,” says Huey. “The underlying intent is we love this music. We poke some fun at it, but we also want people to hear it for what it is, which is really, really good, solid, well-crafted music.”

Ryznar says the label was inspired by the cover and name of “Full Sail” — an album from Loggins and Jim Messina — Cross' hit single “Sailing” and the captain-hat wearing half of Captain & Tennille.

"We just noticed this '70s motif and it seemed to describe the music that was so well-produced so perfectly," Ryznar says. “It’s not called yacht rock because it sounds good on a boat, though it does. It’s called yacht rock because it’s well crafted, like the finest yacht.”

Price, an editor on “Daisey Jones & The Six” who also directed the dark “Woodstock 99: Peace, Love, and Rage,” says his latest work arrives at a great time in the year.

“It’s the perfect post-Thanksgiving film to watch with your family after what may be a more contentious Thanksgiving this year than others,” says Price. “We can all just chill out, vibe out, listen to this smooth, polished music and just smile.”

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Yacht rock gets celebrated — smoothly, of course — in new documentary
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November 30, 2024 at 09:47AM

Marrakech Film Festival opens in Morocco with 'The Order'

Repost Ent dalamlima.blogspot.com

MARRAKECH, Morocco -- One of the Middle East and North Africa's largest film festivals opened Friday in Morocco, drawing actors and directors from throughout the world to present 70 features from 32 countries.

The Marrakech International Film Festival, now in its 21st year, will showcase Oscar contenders and screen films for members of the public. But unlike larger festivals in Venice, Cannes or Toronto, it places unique emphasis on emerging directors and films from the Middle East and Africa.

The roster of actors and directors who will participate in this year’s conversations and tributes includes Sean Penn, Alfonso Cuaron and David Cronenberg.

Remi Bonhomme, the festival's artistic director, said what makes the festival unique is its ability to draw talent on par with the world's largest festivals while also spotlighting up-and-coming directors from Morocco, the Middle East and Africa.

“We pay a lot of attention to countries that are underrepresented in cinema,” he said. “We support filmmakers who have their own voice, who develop a story that is in a specific context, whether it is Iran, Morocco or the U.S."

“But they don’t have to be the voice of their country. They have the need to have the freedom to express their own personal vision,” he added.

Among the themes that Bonhomme is excited about in this year's films is family. Filmmakers, including “The Seed of the Sacred Fig” director Mohammad Rasoulof, are “exploring social and political impact through the scale of a family,” Bonhomme said.

The festival opens Friday with “The Order” — a thriller starring Jude Law that chronicles an FBI manhunt for the leader of a white supremacist group.

The jury competition contains 14 first or second films. The nine-person jury includes actors Jacob Elordi and Andrew Garfield as well as Ali Abbasi, the Iranian-Danish director of “The Apprentice.” Luca Guadagnino, the Italian-Algerian director of “Queer” will preside over the jury.

The films in competition include Saïd Hamich's “Across the Sea” about a young Moroccan man's immigration to Marseille and Damian Kocur's “Under the Volcano,” Poland's Oscar entry for Best International Feature.

The festival — founded by Morocco's King Mohammed VI and is presided over by his brother Prince Moulay Rachid — plays a major role in showcasing and promoting Moroccan films and directors.

It has rarely shied away from diverse subject matter and this year will screen Moroccan films about immigration, homosexuality, bar performers and Moroccan communist Jews.

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November 29, 2024 at 09:17PM

Thursday, November 28, 2024

Photo gallery: From Santa to celebrities, the annual Macy's Thanksgiving Day Parade in pictures

Repost Ent dalamlima.blogspot.com

NEW YORK -- A giant, golden Thanksgiving turkey in a top hat rode on a float through confetti in the colors of fall leaves. A muscular Spider-Man balloon floated in the air, crouched in a web-spinning pose. From a sled piled high with presents, Santa Claus waved to spectators.

These were some of the sights at the annual Macy’s Thanksgiving Day Parade as it wended its way along a 2.5-mile (4-kilometer) route through central Manhattan on Thursday, 100 years after it was first staged in 1924.

This year’s revelry featured 17 helium-filled character balloons, including a yellow-skinned, blue-overalled Minion from the “Despicable Me” animated franchise, and 22 floats, one of them topped by a torch-hoisting Statue of Liberty.

Eleven marching bands came from as far away as Texas and South Dakota to join 700 clowns, 10 performing groups and celebrity guests in the procession.

Despite a soaking rain and temperatures hovering around 50 degrees Fahrenheit (10 Celsius), onlookers crowded the parade route, clad in plastic ponchos and huddled under umbrellas. From inside buildings, kids pressed up against glass windows to marvel at the spectacle.

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Photo gallery: From Santa to celebrities, the annual Macy's Thanksgiving Day Parade in pictures
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November 29, 2024 at 09:02AM

Jon Batiste, Ledisi, Trombone Shorty and Lauren Daigle to perform during Super Bowl pregame

Repost Ent dalamlima.blogspot.com

LOS ANGELES -- The Super Bowl pregame will have some Louisiana flavor: Multi-talented performer Jon Batiste will hit the stage to sing the national anthem, while Trombone Shorty and Lauren Daigle are slated to perform “America the Beautiful.”

The performances will take place Feb. 9 at Caesars Superdome in New Orleans before the NFL’s championship matchup and halftime show featuring rap megastar Kendrick Lamar, the league announced Thursday.

“We’re honored to work with this year’s pregame lineup to celebrate the rich musical legacy of New Orleans and the entire state,” said Seth Dudowsky, the head of music at the NFL.

Ledisi will perform “ Lift Every Voice and Sing ” as part of the pregame performances that will air on Fox. The pregame performers are all Louisiana natives.

The national anthem and “America the Beautiful” will be performed by actor Stephanie Nogueras in American sign language.

Otis Jones IV will sign “Lift Every Voice and Sing,” and the halftime show will be signed by Matt Maxey.

Jay-Z’s Roc Nation company and Emmy-winning producer Jesse Collins will serve as co-executive producers of the halftime show.

Batiste is a Grammy and Oscar winner who is the former bandleader for the “The Late Show with Stephen Colbert." His documentary “American Symphony” is nominated for best music film, and his “It Never Went Away” from the documentary is up for best song written for visual media at the upcoming Grammys. He composed the score for Jason Reitman's film “Saturday Night” and this month released “ Beethoven Blues (Batiste Piano Series, Vol. 1),” which reimagined the iconic German pianist's work.

Trombone Shorty, a Grammy winner known for blending funk, soul, R&B and rock, has toured with major acts such as Lenny Kravitz, Red Hot Chili Peppers and the Foo Fighters. Daigle made her way as a contemporary Christian singer, winning two Grammys for her 2018 song “You Say” from her third studio album, “Look Up Child.”

Ledisi won a Grammy for her 2020 single “Anything for You.” She also appeared in the films “Leatherheads,” “Spinning Gold” and the Oscar-nominated “Selma.”

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Jon Batiste, Ledisi, Trombone Shorty and Lauren Daigle to perform during Super Bowl pregame
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November 29, 2024 at 08:47AM

Wednesday, November 27, 2024

Ex-TV host Charlie Rose settles sexual harassment lawsuit years after his #MeToo-era ouster

Repost Ent dalamlima.blogspot.com

NEW YORK -- Former TV host Charlie Rose has resolved a sexual harassment lawsuit brought by three women in the wake of his #MeToo-era ouster from CBS News in 2017 and the cancellation of his long-running, eponymous PBS talk show.

In settling, the plaintiffs said they assign no “ill intent” to Rose and realize now that his conduct could be subject to interpretation.

Lawyers for Rose and the women — younger employees who accused him of “predatory behavior” and “blatant and repeated sexual harassment” — filed court papers this week confirming that the lawsuit has been resolved. An online court docket listed the case as settled. The terms were not disclosed.

The lawsuit had been set to go to trial Monday in Manhattan after years of sparring over the women's allegations and the dismissal of their retaliation claims against Rose.

Plaintiffs Katherine Brooks Harris, Sydney McNeal and Yuqing Wei said in a statement that the litigation process and the required pretrial exchange of evidence known as discovery had enabled both sides to "better understand each others’ points of view."

“On reflection, and after having the benefit of discovery, we realize that different people could interpret the conduct in different ways, and therefore we have resolved the claims,” the women said. "We do not assign any bad motive or ill intent to Charlie Rose.”

A lawyer for Rose, 82, and his production company, Charlie Rose Inc., declined comment.

The veteran TV host has apologized in the past for his behavior, including in a statement on the eve of his November 2017 firing after at least eight women had come forward to accuse him of misconduct.

“It is essential that these women know I hear them and I deeply apologize for my inappropriate behavior," Rose said. "I am greatly embarrassed. I have behaved insensitively at times, and I accept responsibility for that, though I do not believe that all of these allegations are accurate. I always felt that I was pursuing shared feelings, even though I now realize I was mistaken.”

Rose’s downfall was part of America’s #MeToo reckoning with sexual misconduct by powerful figures — a social media-fueled movement that also took down “Today” host Matt Lauer and movie mogul Harvey Weinstein, among others.

Rose is now hosting an interview show on YouTube where his recent guests have included author Michael Lewis and broadcaster Bob Costas.

Harris, McNeal and Wei sued Rose and CBS in state court in New York in May 2018, about six months after CBS fired him as an anchor on its morning show, then called “CBS This Morning,” and PBS and Bloomberg Television dropped his nightly “Charlie Rose Show.”

Harris was a broadcast associate at “CBS This Morning,” and she later worked as an associate producer for Rose's PBS show. McNeal was Rose's executive assistant. Wei was a news associate and later an anchor assistant for Rose at “CBS This Morning.”

The women, all in their early 20s when they were hired, accused the much older Rose of subjecting them to repeated physical and verbal sexual harassment, including inquires about their sex lives and boasts about his own. They accused CBS of knowingly failing to prevent Rose's harassment.

CBS settled in December 2018 for an undisclosed sum. The network said at the time that the women had requested the terms be kept confidential.

Had the lawsuit gone to trial, Rose's lawyer said in court papers that he would challenge the credibility of Harris, McNeal and Wei's claims with evidence showing they had previously expressed little or no concern about the ex-anchor.

Among the evidence, lawyer Jonathan Bach wrote in a Nov. 13 filing, were documents showing that Wei told a CBS human resources officer that she experienced nothing “sexually inappropriate” while working for Rose and that McNeal confided in her therapist at the time that she had no personal experience of sexual harassment by Rose.

Other evidence cited by Bach showed that Harris had told her therapist that any harassment by Rose was “very subtle” and that she wrote to Rose two months after working for him that his interactions with her were “always professional and respectful.”

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Ex-TV host Charlie Rose settles sexual harassment lawsuit years after his #MeToo-era ouster
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November 28, 2024 at 11:17AM

Massive balloons take shape ahead of the Macy’s Thanksgiving Day Parade

Repost Ent dalamlima.blogspot.com

NEW YORK -- They're up, up and — almost — away.

The massive helium balloons that will float through New York City for the Macy’s Thanksgiving Day Parade took shape on Wednesday, when they were filled with helium ahead of the big event.

“You see these giant balloons come to life and they’re really, really huge," said Stephanie Senkevich, one of dozens of people helping inflate the stars of Thursday's show. “You can see them start on the ground right next to you where you look taller than them. And slowly, slowly, they start to raise right above you.”

This year, 17 giant character balloons and other inflatables will travel from Manhattan’s Upper West Side to Macy’s Herald Square flagship store on 34th Street, alongside floats, performers, marching bands and more.

New balloons for 2025 will feature characters including Minnie Mouse, Goku from ”Dragon Ball” and Spider-Man, joining longtime favorites such as Smokey Bear and SpongeBob SquarePants.

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Massive balloons take shape ahead of the Macy’s Thanksgiving Day Parade
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November 28, 2024 at 07:17AM

Sean 'Diddy' Combs denied bail by third judge as he awaits sex trafficking trial

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NEW YORK -- Sean “Diddy” Combs was denied bail on Wednesday as he awaits a May sex trafficking trial by a judge who cited evidence showing him to be a “serious risk” of witness tampering and proof he has tried to hide prohibited communications with third parties while incarcerated.

U.S. District Judge Arun Subramanian ruled in a five-page order following a bail hearing last week. At the hearing, lawyers for the hip-hop mogul argued that a $50 million bail package they proposed would be sufficient to ensure Combs doesn’t flee and doesn’t try to intimidate prospective trial witnesses.

Two other judges previously had agreed with prosecutors that the Bad Boy Records founder was a danger to the community if he is not behind bars. Subramanian concurred.

“There is compelling evidence of Combs's propensity for violence,” Subramanian wrote.

Lawyers for Combs did not immediately respond to messages seeking comment on the decision. Nicholas Biase, a spokesperson for prosecutors, declined comment.

Combs, 55, has pleaded not guilty to charges that he coerced and abused women for years, aided by associates and employees. An indictment alleges that he silenced victims through blackmail and violence, including kidnapping, arson and physical beatings.

A federal appeals court judge last month denied Combs’ immediate release while a three-judge panel of the 2nd U.S. Circuit Court of Appeals in Manhattan considers his bail request. That appeal was put on hold while Subramanian, newly appointed to the case after an earlier judge stepped aside, considered the bail request for the first time.

Subramanian said he took a fresh look at all the bail arguments and the evidence supporting them to make his decision.

Prosecutors have insisted that no bail conditions would be sufficient to protect the public and prevent the “I'll Be Missing You” singer from fleeing.

They say that even in a federal lockup in Brooklyn, Combs has orchestrated social media campaigns designed to influence prospective jurors and tried to publicly leak materials he thinks can help his case. They say he also has contacted potential witnesses through third parties.

Lawyers for Combs say any alleged sexual abuse described in the indictment occurred during consensual relations between adults and that new evidence refutes allegations that Combs used his “power and prestige” to induce female victims into drugged-up, elaborately produced sexual performances with male sex workers known as “Freak Offs.”

Subramanian said evidence shows Combs to be a “serious risk of witness tampering,” particularly after he communicated over the summer with a grand jury witness and deleted some of his texts with the witness.

The judge also cited evidence showing that Combs violated Bureau of Prisons regulations during pretrial detention at the Metropolitan Detention Center in Brooklyn when he paid other inmates to use their phone code numbers so he could make calls to individuals who were not on his approved contact list.

He said there was also evidence that he told family members and defense counsel to add other people to three-way calls so their communications would be more difficult to trace and that he made efforts to influence his trial's jury pool or to reach potential witnesses.

Subramanian said his “willingness to skirt” jailhouse rules to conceal communications was “strong evidence” that any conditions of release would not prevent similar behavior.

The judge said defense claims that Combs stopped using one particular phone technique criticized by prosecutors was belied by the fact that Combs apparently used it again on Sunday, two days after his bail hearing last week.

Even a bail proposal that would include the strictest form of home confinement seemed insufficient, the judge said.

“Given the nature of the allegations in this case and the information provided by the government, the Court doubts the sufficiency of any conditions that place trust in Combs and individuals in his employ — like a private security detail — to follow those conditions,” Subramanian wrote.

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Sean 'Diddy' Combs denied bail by third judge as he awaits sex trafficking trial
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November 28, 2024 at 07:02AM

Police deny sitting on evidence as Netflix doc brings renewed attention to JonBenet Ramsey's killing

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DENVER -- Amid renewed interest in the killing of JonBenet Ramsey triggered in part by a new Netflix documentary, police in Boulder, Colorado, refuted assertions this week that there is viable evidence and leads about the 1996 killing of the 6-year-old girl that they are not pursuing.

JonBenet Ramsey, who competed in beauty pageants, was found dead in the basement of her family’s home in the college town of Boulder the day after Christmas in 1996. Her body was found several hours after her mother called 911 to say her daughter was missing and a ransom note had been left behind. The details of the crime and video footage of JonBenet competing in pageants propelled the case into one of the highest-profile mysteries in the United States.

The police comments came as part of their annual update on the investigation, a month before the 28th anniversary of JonBenet’s killing. Police said they released it a little earlier because of the increased attention on the case, apparently referring to the three-part Netflix series “Cold Case: Who Killed JonBenet Ramsey.”

In a video statement, Boulder Police Chief Steve Redfearn said the department welcomes news coverage and documentaries about the killing of JonBenet, who would have been 34 this year, as a way to generate possible new leads. He said the department is committed to solving the case but needs to be careful about what it shares about the investigation to protect a possible future prosecution.

“What I can tell you though, is we have thoroughly investigated multiple people as suspects throughout the years and we continue to be open-minded about what occurred as we investigate the tips that come into detectives," he said.

The Netflix documentary focuses on the mistakes made by police and the “media circus” surrounding the case.

JonBenet was bludgeoned and strangled. Her death was ruled a homicide, but nobody was ever prosecuted.

Police were widely criticized for mishandling the early investigation into her death amid speculation that her family was responsible. However, a prosecutor cleared her parents, John and Patsy Ramsey, and brother Burke in 2008 based on new DNA evidence from JonBenet's clothing that pointed to the involvement of an “unexplained third party” in her slaying.

The announcement by former district attorney Mary Lacy came two years after Patsy Ramsey died of cancer. Lacy called the Ramseys “victims of this crime.”

John Ramsey has continued to speak out for the case to be solved. In 2022, he supported an online petition asking Colorado’s governor to intervene in the investigation by putting an outside agency in charge of DNA testing in the case. In the Netflix documentary, he said he has been advocating for several items that have not been prepared for DNA testing to be tested and for other items to be retested. He said the results should be put through a genealogy database.

In recent years, investigators have identified suspects in unsolved cases by comparing DNA profiles from crime scenes and to DNA testing results shared online by people researching their family trees.

In 2021, police said in their annual update that DNA hadn’t been ruled out to help solve the case, and in 2022 noted that some evidence could be “consumed” if DNA testing is done on it.

Last year, police said they convened a panel of outside experts to review the investigation to give recommendations and determine if updated technologies or forensic testing might produce new leads. In the latest update, Redfearn said that review had ended but that police continue to work through and evaluate a “lengthy list of recommendations” from the panel.

____

Amy Beth Hanson contributed to this report from Helena, Montana.

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Police deny sitting on evidence as Netflix doc brings renewed attention to JonBenet Ramsey's killing
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November 28, 2024 at 06:47AM

Marilyn Manson drops lawsuit against Evan Rachel Wood

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LOS ANGELES -- Rocker Marilyn Manson has agreed to drop a lawsuit against his former fiancée, “Westworld” actor Evan Rachel Wood, and to pay her attorneys' fees, lawyers for both sides said Tuesday.

The move comes 18 months after a Los Angeles County judge threw out much of the 2022 suit in which Manson, whose legal name is Brian Warner, claimed Wood had fabricated public allegations that he sexually and physically abused her during their relationship and encouraged other women to fabricate their own allegations.

“After four years of fighting a battle where he was able to tell the truth, Brian is pleased to dismiss his still-pending claims and appeal in order to close the door on this chapter of his life," Manson attorney Howard King said in a statement.

Manson had been appealing the judge's decision but his attorneys reached out to Wood's seeking a settlement in the spring. Wood's attorneys said Tuesday that she rejected requests that the terms be kept confidential.

Manson “filed a lawsuit against Ms. Wood as a publicity stunt to try to undermine the credibility of his many accusers and revive his faltering career,” Wood’s lawyer Michael J. Kump said in a statement. “But his attempt to silence and intimidate Ms. Wood failed.”

Manson agreed to pay nearly $327,000 in attorney fees for Wood.

The settlement comes nearly four years into a criminal investigation of the 55-year-old Manson involving multiple women that remains unresolved. Outgoing LA County District Attorney George Gascón said in October that his office's sex crimes division had just discovered new evidence and that a decision on whether to file charges would be made when the picture was more complete.

The women involved in the criminal case have not been identified, but “Game of Thrones” actor Esme Bianco has said she was among them, and criticized the district attorney for taking so long to investigate. Bianco settled her own lawsuit against Manson last year.

The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly as Wood and Bianco have.

Manson has denied engaging in any non-consensual sexual acts.

In 2017, with the #MeToo movement gaining momentum, Wood said publicly that she had been raped and abused, and gave testimony on the subject to a Congressional committee in 2018, but did not name anyone in either instance.

Then in a 2020 Instagram post, Wood said it was Manson who had “horrifically abused me for years.” The two revealed they were a couple in 2007, and were briefly engaged in 2010 before breaking up.

Manson's original lawsuit alleged that Wood and another woman, Ashley Gore, also known as Illma Gore in court papers, defamed him, intentionally caused him emotional distress and derailed his career in music, TV and film. It says they used false pretenses, including a phony letter from the FBI, to convince other women to come forward with sexual abuse allegations and coached them on what to say. The suit said Wood had only glowing things to say about Manson during their relationship.

Los Angeles Superior Court Judge Teresa A. Beaudet dismissed the part of the suit dealing with the disputed FBI letter, which Wood denied forging. Beaudet also tossed out a section that alleges Wood and Gore used a checklist found on an iPad for other women to use to make abuse claims about Manson.

Other parts of the lawsuit had remained because they were not subject to Wood’s motion, including allegations that Gore hacked Manson’s email, phone and social media accounts, created a phony email to manufacture evidence that he was sending illegal pornography, and “swatted” him, using a prank call to send authorities to his home.

Gore's part of the lawsuit was dismissed and Manson paid $130,000 in her attorney fees.

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November 27, 2024 at 03:26PM

Tuesday, November 26, 2024

Drake makes another legal move against Universal over Kendrick Lamar diss track 'Not Like Us'

Repost Ent dalamlima.blogspot.com

For the second straight day, Drake has taken legal action against Universal Music Group, this time in Texas, over Kendrick Lamar's diss track “Not Like Us.”

It follows a similar filing in New York on Monday, in which Drake alleges UMG falsely pumped up the popularity of “Not Like Us” on Spotify and other streaming services.

The two court moves have taken the bitter beef between the two hip-hop superstars to a whole new level, with the parent company of the labels for both men now pulled directly into the fight.

Tuesday’s filing in Bexar County alleges UMG engaged in “irregular and inappropriate business practices" to get radio airplay for “Not Like Us,” including making illegal payments to San Antonio-based iHeartMedia. The petition, a precursor to a potential lawsuit, seeks depositions from corporate representatives of both companies.

The filing takes aim at UMG for allegedly knowing that “the song itself, as well as its accompanying album art and music video, attacked the character of another one of UMG’s most prominent artists, Drake, by falsely accusing him of being a sex offender, engaging in pedophilic acts, harboring sex offenders, and committing other criminal sexual acts.”

The filing points out that "the song calls Drake a ‘certified pedophile,’ a ‘predator,’ and someone whose name should ‘be registered and placed on neighborhood watch.’"

The petition says Drake could sue UMG for defamation, among other claims.

A UMG representative did not immediately respond to an email seeking comment on the new filing. In a Monday statement in response to the New York filing, the company said the “suggestion that UMG would do anything to undermine any of its artists is offensive and untrue. We employ the highest ethical practices in our marketing and promotional campaigns."

An email to an iHeartMedia representative seeking comment was also not immediately answered.

The New York petition is also a precursor to a potential lawsuit, and alleges UMG fired employees seen as loyal to Drake “in an apparent effort to conceal its schemes.”

The back-to-back legal maneuvers represent a major and possibly unprecedented escalation of a hip-hop feud, especially with the label representing two of the biggest stars in music sitting at the center of it.

Drake, a 38-year-old Canadian rapper and singer and five-time Grammy winner, and Lamar, a 37-year-old Pulitzer Prize winner who is set to headline the next Super Bowl halftime, were occasional collaborators more than a decade ago.

That changed when Lamar began taking public jabs at Drake starting in 2013. The fight escalated steeply earlier this year.

“Not Like Us,” the wildly popular Lamar single released in May, was an especially vicious moment in a flurry of dueling tracks from the two artists.

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November 27, 2024 at 05:41AM

It’s almost time for Spotify Wrapped. When can you expect your 2024 recap?

Repost Ent dalamlima.blogspot.com

NEW YORK -- It’s almost that time of year: Spotify is gearing up to release its annual Wrapped, personalized recaps of users' listening habits and year in audio.

Spotify has been giving its listeners breakdowns of their data since 2016. And each year, it’s become a bigger production — and internet sensation. Spotify said its 2023 Wrapped was the “biggest ever created,” in terms of audience reach and the kind of data it provided.

So, what will 2024 have in store? Here’s a look at what to know ahead of this year’s Spotify Wrapped.

It’s the streaming service's annual overview of individual listening trends, as well as trends around the world. Users learn their top artists, songs, genres, albums and podcasts, all wrapped into one interactive presentation.

The campaign has become a social media sensation, as people share and compare their Wrapped data with their friends and followers online.

Past iterations have provided users with all kinds of breakdowns and facts, including whether they’re among an artist’s top listeners, as well as a personalized playlist of their top 100 songs of that year to save, share and listen to whenever they’re feeling nostalgic.

Spotify also creates a series of playlists that reflect national and global listening trends, featuring the top streamed artists and songs. In 2023, Taylor Swift was Spotify's most streamed artist, unseating Bad Bunny who had held the title for three years in a row.

Each year has something new in store. In 2019, Wrapped included a summary of users’ streaming trends for the entire decade. Last year, Spotify matched listeners to a Sound Town based on their artist affinities and how it lined up with those in other parts of the world.

So far, the streaming platform has kept the highly anticipated release date of Wrapped under … er, wraps.

In past years, it’s been released after Thanksgiving, between Nov. 30 and Dec. 6.

Each year, rumors tend to swell on social media around when Spotify stops collecting data in order to prepare their Wrapped results, and this year was no exception. Spotify quickly squashed those presumptions, assuring on social media that “Spotify Wrapped doesn’t stop counting on October 31st.”

A representative for Spotify did not respond to a request for comment on when the company stops tracking data for Wrapped.

When Wrapped is released, each user's Spotify account will prompt them to view their interactive data roundup. It can be accessed through the Spotify smartphone app, or by logging on to the Spotify website. Wrapped is available to users with and without Premium subscriptions.

There are a handful of third-party sites that you can connect your Spotify account to that will analyze your Wrapped data.

How Bad is Your Spotify is an AI bot that judges your music taste. Receiptify gives you your top songs on a sharable graphic that looks like, yes, a receipt. Instafest gives you your own personal music festival-style lineup based on your top artists. How NPRCore Are You assesses how similar your music taste is to NPR Music's.

Other major streaming platforms such as Apple Music and YouTube Music have developed their own versions of Wrapped in recent years.

Apple Music’s Replay not only gives its subscribers a year-end digest of their listening habits but monthly summaries as well — a feature that helps differentiate itself from the one-time Spotify recap. That's released at the end of the calendar year.

YouTube Music, meanwhile, has a similar end-of-the-year release for its listeners, as well as periodic seasonal releases throughout the year. It released its annual Recap for users earlier this month.

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November 27, 2024 at 05:26AM

Jurors end 1st day of deliberations without a verdict in the YSL gang and racketeering trial

Repost Ent dalamlima.blogspot.com

ATLANTA -- Deliberations are underway in Atlanta after a year of testimony in the gang and racketeering trial that originally included the rapper Young Thug.

Jurors are considering whether to convict Shannon Stillwell and Deamonte Kendrick, who raps as Yak Gotti, on gang, murder, drug and gun charges. The original indictment charged 28 people with conspiring to violate Georgia’s Racketeer Influenced and Corrupt Organizations Act.

Opening statements in the trial for six of those defendants happened a year ago. Four of them, including Young Thug, pleaded guilty last month. The rapper was freed on probation. Stillwell and Kendrick rejected plea deals after more than a week of negotiations, and their lawyers chose not to present evidence or witnesses.

Both seemed to be in good spirits Tuesday morning after closings wrapped the previous night. Kendrick was chatting and laughing with Stillwell and his lawyers before the jury arrived for instructions.

The jury started deliberating Tuesday afternoon and was dismissed at 5 p.m. Jurors are expected to resume deliberations Wednesday morning. If they don’t reach a verdict by 3 p.m. Wednesday, the judge will send them home for the Thanksgiving weekend and they will return Monday morning.

Kendrick and Stillwell were charged in the 2015 killing of Donovan Thomas Jr., also known as “Big Nut,” in an Atlanta barbershop.

Prosecutors painted Stillwell and Kendrick as members of a violent street gang called Young Slime Life, or YSL, co-founded in 2012 by Young Thug, whose real name is Jeffery Williams. During closings on Monday, they pointed to tattoos, song lyrics and social media posts they said proved members, including Stillwell, admitted to killing people in rival gangs.

Prosecutors say Thomas was in a rival gang. Stillwell was also charged in the 2022 killing of Shymel Drinks, which prosecutors said was in retaliation for the killing of two YSL associates days earlier.

Defense attorneys Doug Weinstein and Max Schardt said the state presented unreliable witnesses, weak evidence and cherry-picked lyrics and social media posts to push a false narrative about Stillwell, Kendrick and the members of YSL.

Schardt, Stillwell's attorney, reminded the jury that alleged YSL affiliates said during the trial that they had lied to police. Law enforcement played a “sick game” by promising they would escape long prison sentences if they said what police wanted them to say, Schardt said. He theorized that one of those witnesses could have killed Thomas.

The truth is that their clients were just trying to escape poverty through music, Schardt said.

“As a whole, we know the struggles that these communities have had,” Schardt said. “A sad, tacit acceptance that it’s either rap, prison or death.”

Young Thug’s record label is also known as YSL, an acronym of Young Stoner Life. Kendrick was featured on two popular songs from the label’s compilation album Slime Language 2, “Take It to Trial" and “Slatty," which prosecutors presented as evidence in the trial.

Weinstein, Kendrick’s defense attorney, said during closings it was wrong for prosecutors to target the defendants for their music and lyrics. Prosecutor Simone Hylton disagreed, and said surveillance footage and phone evidence supported her case.

“They have the audacity to think they can just brag about killing somebody and nobody’s gonna hold them accountable,” Hylton said.

The trial had more than its fair share of delays. Jury selection took nearly 10 months, and Stillwell was stabbed last year at the Fulton County jail, which paused trial proceedings.

Judge Paige Reese Whitaker took over after Fulton County Superior Court Chief Judge Ural Glanville was removed from the case in July because he had a meeting with prosecutors and a state witness without defense attorneys present.

Whitaker often lost patience with prosecutors over moves such as not sharing evidence with defense attorneys, once accusing them of “poor lawyering.” But the trial sped up under her watch.

In October, four defendants, including Young Thug, pleaded guilty, with the rapper entering a non-negotiated or “blind” plea, meaning he didn't have a deal worked out with prosecutors.

Nine people charged in the indictment, including rapper Gunna, accepted plea deals before the trial began. Charges against 12 others are pending. Prosecutors dropped charges against one defendant after he was convicted of murder in an unrelated case.

___

Kramon is a corps member for The Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues. Follow Kramon on X: @charlottekramon

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November 27, 2024 at 05:11AM

Mexico’s president unveils a plan to promote non-violent music over 'narco corridos'

Repost Ent dalamlima.blogspot.com

MEXICO CITY -- Mexico's President Claudia Sheinbaum said Monday she has a plan to reduce the popularity of “narco corridos,” a musical genre often linked to drug cartel violence.

Sheinbaum vowed to launch a campaign to promote other, less violent musical styles that aren’t as linked to drug traffickers in an effort to stop glorifying them.

The campaign includes “a competition among corrido bands that have some other kind of lyrics, that glorify other behaviors, other cultural visions,” Sheinbaum said, noting that ”prohibiting them is not an option." Instead, she said, "it's about promoting another vision."

Her secret weapon is a 47-year-old northern governor who occasionally sings more traditional “banda” songs.

“One of the ideas we came up with was in Durango,” said Sheinbaum. "We talked about it with the governor, I don’t know if you knew, but he is a ‘banda’ singer.”

Gov. Esteban Villegas has taken a few turns on stage singing banda music, which while it is also driven by horns and bass, is more likely to praise cowboys and poor working people.

Peso Pluma, one of the biggest names in regional Mexican music, on the other hand, prides himself on signing “belicon" or aggressive ”tumbado" songs sprinkled with references to trafficking drugs.

At varying times, some Mexican cities have tried to ban live performance by singers of narco corridos, with mixed success.

Marco Antonio Gordoa Obeso, the leader of a musicians' union in the northern city of Mazatlan, said he would like to see other types of music succeed, but some audiences prefer narco corridos.

“People ask for it,” Gordoa Obeso said. “Who am I to deny somebody their preference?”

____

Follow AP’s coverage of Latin America and the Caribbean at https://apnews.com/hub/latin-america

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November 26, 2024 at 04:47PM

Monday, November 25, 2024

At the crossroads of news and opinion, 'Morning Joe' hosts grapple with aftermath of Trump meeting

Repost Ent dalamlima.blogspot.com

One of the striking things about how furiously many people reacted to the news last week that MSNBC “Morning Joe” hosts Joe Scarborough and Mika Brzezinski met with President-Elect Donald Trump was how quaint their defenders sounded.

“It is insane for critics to NOT think all of us in the media need to know more so we can share/report more,” Jim VandeHei, co-founder of Axios and Politico, said on social media.

It would be journalistic malpractice for the hosts of a morning television news program not to take a meeting with a president-elect, right? But “Morning Joe” isn't traditional journalism, and last week's incident is a telling illustration of the broader trend of impartial fact-finding being crowded out in the marketplace by opinionated news and the expectations that creates.

Scarborough, a former congressman, and his wife, veteran newswoman Brzezinski, didn't just talk about the presidential campaign from their four-hour weekday perch. They tirelessly and emotionally advocated for Democrat Kamala Harris, likening Trump to a fascist-in-waiting.

“They have portrayed themselves as bastions of integrity standing up to a would-be dictator,” says Frank Sesno, a former CNN Washington bureau chief now professor at George Washington University's school of media and public affairs. “What the followers see is the daily procession of people on the show constantly talking about the evils of Donald Trump and then Joe and Mika show up and have high tea with the guy.”

The social media blowback was instant and intense. “You do not need to talk to Hitler to cover him effectively,” was one of the nicer messages.

More telling is the people who have responded with action.

“Morning Joe” had 770,000 viewers last Monday, its audience — like many shows on MSNBC — down from its yearly average of 1.09 million because some of the network's liberal-leaning viewers have tuned away after what they regard as depressing election results. That's the day Scarborough and Brzezinski announced they had met with Trump the previous Friday.

By Tuesday, the “Morning Joe” audience had slipped to 680,000, according to the Nielsen company, and Wednesday's viewership was 647,000. Thursday rebounded to 707,000. It's only three days of data, but those are the kind of statistics about which television executives brood.

“The audience for the polarized news-industrial complex has become unforgiving,” says Kate O'Brian, outgoing head of news of the E.W. Scripps Co.

The Washington Post learned this last month when it lost a reported 250,000 subscribers — presumably the bulk of them non-Trump supporters — after announcing it would not endorse a candidate for president. A draft of an editorial endorsing Harris had already been in the works.

Mixing news and opinion isn't new; many U.S. newspapers in the 1800s were unabashedly partisan. But for most of the past century, there was a vigorous effort to separate the two. Broadcast television, licensed to serve the public interest, built up fact-based news divisions. What began to change things was the success of Fox News in building a conservative audience that believed it was underserved and undervalued.

Now there's a vigorous industry catering to people who want to see their points of view reflected — and are less interested in reporting or any content that contradicts them.

The most notable trend in 2024 campaign coverage was the diminishing influence of so-called legacy news brands in favor of outlets like podcasts that offered publicity-hungry politicians a friendly, if not supportive, home. Trump, for example, visited several podcasters, including the influential Joe Rogan, who awarded Trump with an endorsement.

“I won't even call it journalism,” Sesno says. “It's storytelling.”

The past decade's journey of Megyn Kelly is one illustration of how opinion can pay off in today's climate. Once one of the more aggressive reporters at Fox News, she angered Trump in a 2015 debate with a pointed question about his treatment of women. She moved to the legacy outlet NBC News, but that didn't work for her. She has since started a flourishing podcast with conservative, and Trump-friendly, opinion.

Among cable TV-based news brands, CNN has tried hardest to present an image of impartiality, even if many conservatives disagree. So the collapse in its ratings has been noteworthy: the network's audience of 4.7 million people for its election night coverage was essentially half the 9.1 million people it had for the same night in 2020.

O'Brian is leaving Scripps at the end of the year because it is ending its 24-hour television news network after finding impartiality was a tough business. Scripps is continuing a streaming news product.

That's the environment Scarborough and Brzezinski work in on “Morning Joe.”

“They are very talented show hosts,” Sesno says. “But they are not out on the front lines doing journalism, seeking truth in the way that a professional journalist does.”

Hours after the hosts' announcement that they had met with Trump, an MSNBC colleague, legal contributor and correspondent Katie Phang, said on X that “normalizing Trump is a bad idea.” Scarborough had made a point of saying that was not what he was attempting to do.

“It's not up to you or your corrupt industry to ‘normalize’ or not ‘normalize' any politician who wins an election fair & square,” Christina Pushaw, the pugnacious aide to Florida Gov. Ron DeSantis, replied to Phang. “Americans had their say; Trump will be your president come January whether you ‘normalize’ it or not. I would suggests journos should accept reality.”

Quaintness alert: Sesno is among those who believe the “Morning Joe” hosts did the right thing.

Whatever the motivations — and there are some who believe that worries that a Trump administration could make life difficult very difficult for them was on the hosts' minds — opening a line of communication to ensure that a show based on politics is not completely cut off from the thinking of a presidential administration makes business sense, he says. A little humility doesn't hurt.

Even if her own job has proven that it's not a great business now, Scripps' O'Brian has seen enough focus groups of people who yearn for a more traditional journalism-based approach to believe in its importance.

“I think that there is still a need for nonpartisan news," says the former longtime ABC News producer, “and maybe what brings it back to where it used to be will be an exhaustion from the hyper-polarized climate that we currently live in.”

___

David Bauder writes about media for the AP. Follow him at http://x.com/dbauder.

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November 26, 2024 at 03:48AM

South African dissident writer, poet Breyten Breytenbach dies at 85

Repost Ent dalamlima.blogspot.com

JOHANNESBURG -- South African writer and poet Breyten Breytenbach, a staunch opponent of the former white-minority government’s apartheid policy of racial oppression, has died in Paris, his family announced Sunday. He was 85.

Breytenbach was a celebrated wordsmith, a leading voice in literature in Afrikaans — an offshoot of Dutch that was developed by white settlers — and a fierce critic of apartheid that was imposed against the country's Black majority between 1948 and 1990.

He moved to Paris but on a clandestine trip to his home country in 1975 he was arrested on allegations that he assisted Nelson Mandela’s then-outlawed African National Congress group in its sabotage campaign against the white-minority government.

He was convicted of treason and served seven years in prison. Upon his release he based himself in Paris, where he continued his anti-apartheid activism.

Breytenbach is best known for “Confessions of an Albino Terrorist," his account of his imprisonment and the events leading to it.

His work addressed themes of exile, identity and justice, his family said.

“Known for his masterful poetry collections in Afrikaans, as well as autobiographical works such as ‘The True Confessions of an Albino Terrorist’ and ‘A Season in Paradise,' he fearlessly addressed themes of exile, identity and justice," their statement said.

Breytenbach was a poet, novelist, painter and activist whose work touched on and influenced literature and the arts both domestically and abroad, his family added.

He was born in the Western Cape province in 1939, but spent much of his life abroad.

He joined Okhela, an ideological wing of South Africa’s African National Congress, in exile, but remained deeply connected to his South African roots.

He is survived by his wife, Yolande, daughter Daphnée and two grandsons.

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November 25, 2024 at 03:26PM

Sunday, November 24, 2024

Chuck Woolery, original host of 'Wheel of Fortune,' dies at 83

Repost Ent dalamlima.blogspot.com

NEW YORK -- Chuck Woolery, the affable, smooth-talking game show host of “Wheel of Fortune,” “Love Connection” and “Scrabble” who later became a right-wing podcaster, skewering liberals and accusing the government of lying about COVID-19, has died. He was 83.

Mark Young, Woolery's podcast co-host and friend, said in an email early Sunday that Woolery died at his home in Texas with his wife, Kristen, present. “Chuck was a dear friend and brother and a tremendous man of faith, life will not be the same without him,” Young wrote.

Woolery, with his matinee idol looks, coiffed hair and ease with witty banter, was inducted into the American TV Game Show Hall of Fame in 2007 and earned a daytime Emmy nomination in 1978.

In 1983, Woolery began an 11-year run as host of TV’s “Love Connection,” for which he coined the phrase, “We’ll be back in two minutes and two seconds,” a two-fingered signature dubbed the “2 and 2.” In 1984, he hosted TV’s “Scrabble,” simultaneously hosting two game shows on TV until 1990.

“Love Connection,” which aired long before the dawn of dating apps, had a premise that featured either a single man or single woman who would watch audition tapes of three potential mates and then pick one for a date.

A couple of weeks after the date, the guest would sit with Woolery in front of a studio audience and tell everybody about the date. The audience would vote on the three contestants, and if the audience agreed with the guest’s choice, “Love Connection” would offer to pay for a second date.

Woolery told The Philadelphia Inquirer in 2003 that his favorite set of lovebirds was a man aged 91 and a woman aged 87. "She had so much eye makeup on, she looked like a stolen Corvette. He was so old he said, ‘I remember wagon trains.’ The poor guy. She took him on a balloon ride.”

Other career highlights included hosting the shows “Lingo," “Greed” and “The Chuck Woolery Show,” as well as hosting the short-lived syndicated revival of “The Dating Game” from 1998 to 2000 and an ill-fated 1991 talk show. In 1992, he played himself in two episodes of TV’s “Melrose Place.”

Woolery became the subject of the Game Show Network’s first attempt at a reality show, “Chuck Woolery: Naturally Stoned,” which premiered in 2003. It shared the title of the pop song in 1968 by Woolery and his rock group, the Avant-Garde. It lasted six episode and was panned by critics.

Woolery began his TV career at a show that has become a mainstay. Although most associated with Pat Sajak and Vanna White, “Wheel of Fortune” debuted Jan. 6, 1975, on NBC with Woolery welcoming contestants and the audience. Woolery, then 33, was trying to make it in Nashville as a singer.

“Wheel of Fortune” started life as “Shopper’s Bazaar,” incorporating Hangman-style puzzles and a roulette wheel. After Woolery appeared on “The Merv Griffin Show” singing “Delta Dawn,” Merv Griffin asked him to host the new show with Susan Stafford.

“I had an interview that stretched to 15, 20 minutes,” Woolery told The New York Times in 2003. “After the show, when Merv asked if I wanted to do a game show, I thought, ‘Great, a guy with a bad jacket and an equally bad mustache who doesn’t care what you have to say — that’s the guy I want to be.’”

NBC initially passed, but they retooled it as “Wheel of Fortune” and got the green light. After a few years, Woolery demanded a raise to $500,000 a year, or what host Peter Marshall was making on “Hollywood Squares.” Griffin balked and replaced Woolery with weather reporter Pat Sajak.

“Both Chuck and Susie did a fine job, and ‘Wheel’ did well enough on NBC, although it never approached the kind of ratings success that ‘Jeopardy!’ achieved in its heyday,” Griffin said in “Merv: Making the Good Life Last,” an autobiography from the 2000s co-written by David Bender. Woolery earned an Emmy nod as host.

Born in Ashland, Kentucky, Woolery served in the U.S. Navy before attending college. He played double bass in a folk trio, then formed the psychedelic rock duo The Avant-Garde in 1967 while working as a truck driver to support himself as a musician.

The Avant-Garde, which tourbed in a refitted Cadillac hearse, had the Top 40 hit “Naturally Stoned,” with Woolery singing, “When I put my mind on you alone/I can get a good sensation/Feel like I’m naturally stoned.”

After The Avant-Garde broke up, Woolery released his debut solo single “I’ve Been Wrong” in 1969 and several more singles with Columbia before transitioning to country music by the 1970s. He released two solo singles, “Forgive My Heart” and “Love Me, Love Me.”

Woolery wrote or co-wrote songs for himself and everyone from Pat Boone to Tammy Wynette. On Wynette’s 1971 album “We Sure Can Love Each Other,” Woolery wrote “The Joys of Being a Woman” with lyrics including “See our baby on the swing/Hear her laugh, hear her scream.”

After his TV career ended, Woolery went into podcasting. In an interview with The New York Times, he called himself a gun-rights activist and described himself as a conservative libertarian and constitutionalist. He said he hadn’t revealed his politics in liberal Hollywood for fear of retribution.

He teamed up with Mark Young in 2014 for the podcast “Blunt Force Truth” and soon became a full supporter of Donald Trump while arguing minorities don’t need civil rights and causing a firestorm by tweeting an antisemitic comment linking Soviet Communists to Judaism.

“President Obama’s popularity is a fantasy only held by him and his dwindling legion of juice-box-drinking, anxiety-dog-hugging, safe-space-hiding snowflakes,” he said.

Woolery also was active online, retweeting articles from Conservative Brief, insisting Democrats were trying to install a system of Marxism and spreading headlines such as “Impeach him! Devastating photo of Joe Biden leaks.”

During the early stages of the pandemic, Woolery initially accused medical professionals and Democrats of lying about the virus in an effort to hurt the economy and Trump’s chances for reelection to the presidency.

“The most outrageous lies are the ones about COVID-19. Everyone is lying. The CDC, media, Democrats, our doctors, not all but most, that we are told to trust. I think it’s all about the election and keeping the economy from coming back, which is about the election. I’m sick of it,” Woolery wrote in July 2020.

Trump retweeted that post to his 83 million followers. By the end of the month, nearly 4.5 million Americans had been infected with COVID-19 and more than 150,000 had died.

Just days later, Woolery changed his stance, announcing his son had contracted COVID-19. “To further clarify and add perspective, COVID-19 is real and it is here. My son tested positive for the virus, and I feel for of those suffering and especially for those who have lost loved ones,” Woolery posted before his account was deleted.

Woolery later explained on his podcast that he never called COVID-19 “a hoax” or said “it’s not real,” just that “we’ve been lied to.” Woolery also said it was “an honor to have your president retweet what your thoughts are and think it’s important enough to do that.”

In addition to his wife, Woolery is survived by his sons Michael and Sean and his daughter Melissa, Young said.

___

Mark Kennedy is at http://twitter.com/KennedyTwits.

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November 25, 2024 at 02:47AM