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Thursday, February 29, 2024

Winfrey leaving WeightWatchers board, donating all of her interest in the company to a museum

Repost Ent dalamlima.blogspot.com

Former talk show host Oprah Winfrey is leaving WeightWatchers board of directors and donating all of her interest in the company to a museum.

Shares of WW International Inc. tumbled more than 23% in Thursday morning trading.

Winfrey, who told People magazine in December that she was using a weight-loss medication, has served on the company's board since 2015. She will not stand for re-election at WeightWatchers annual meeting in May.

WW International said in a regulatory filing that Winfrey's decision “was not the result of any disagreement with the company on any matter relating to the company’s operations, policies or practices.” The size of its board will go from 10 to nine members following its annual meeting, the New York company added.

“I look forward to continuing to advise and collaborate with WeightWatchers and CEO Sima Sistani in elevating the conversation around recognizing obesity as a chronic condition, working to reduce stigma, and advocating for health equity,” Winfrey said.

According to FactSet, Winfrey's stake of about 1.1 million shares made her the company's largest individual shareholder, with a stake of 1.43%.

Winfrey said that she will donate her interest in WeightWatchers to the National Museum of African American History and Culture, part of the Smithsonian Institution in Washington. The company said that it supports Winfrey's decision to donate all of her stake to the museum during WeightWatchers upcoming trading window in March.

“Ms. Winfrey is making the donation to support the NMAAHC’s goal to promote and highlight the contributions of African Americans and to eliminate any perceived conflict of interest around her taking weight loss medications,” the company said. “In addition, Ms. Winfrey intends to donate the proceeds from any future exercises of her WW stock options to NMAAHC.”

Nearly a year ago, WeightWatchers said it too was getting into the prescription drug weight loss business with a $106 million deal to buy Sequence, a telehealth provider with annual revenue of about $25 million and about 24,000 members.

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March 01, 2024 at 01:26AM

Once doomed to cult status, the animated satire 'Clone High' finds a new life on Max

Repost Ent dalamlima.blogspot.com

NEW YORK -- In one of the weirdest high schools in history, Cleopatra is dating class president Frida Kahlo and John F. Kennedy's best friend is Abraham Lincoln.

This is “Clone High,” a cult animated show that's enjoying a new life on the streamer Max some two decades after it was abruptly canceled by MTV.

“We’ve learned a lot in the 20 years since we made the show originally,” says Chris Miller, who created “Clone High” with Bill Lawrence and Phil Lord. “Revisiting where we started but bringing it into the 2020s seemed like a fun and interesting opportunity.”

“Clone High” is populated by the teenage clones of notable historical figures, going through the highs and lows of high school. Joan of Arc is an angsty Goth, and Confucius is sweet and a little dim, with a fondness for social media. Friends navigate love and friendship, describing each other as “my brother from another beaker.”

“The main premise of the show is that the iconic people of history that we all look up to were probably scared teenagers,” says Lord. “Their competence is overstated and they’re judged by their best moments. We’re going to show their weakest ones.”

In the latest batch of shows, the cool new science teacher — with impressive shoulder-length hair, dressed in jeans and a blazer and carrying a luxurious leather satchel — is a lampooning of charismatic leaders like in “Dead Poets Society.”

Episode 3 finds Clone High being turned into a religious school so the evil administrators can avoid taxes. (They shop at Bed, Baptist and Beyond to a ridiculous mock Christian rock song.) Kennedy, tired of meaningless sex, goes celibate.

“There’s very little that’s off limits. Only if it’s not funny is it off limits,” says Lord. “We have a really great staff of writers who have a lot of very strong opinions and a lot to say so we try to be the guys who say yes.”

"Clone High" — also featuring such figures as Genghis Khan, George Washington Carver, Marie Curie and Vincent Van Gogh — first landed in 2003 among other animated adult fare like “Beavis and Butt-Head,” “South Park” and “The Simpsons.”

It lasted a year. The inclusion of a clone of Mahatma Gandhi, depicted as a party animal and a womanizer, led to protests and hunger strikes, ultimately getting the plug pulled on the show.

Lawrence would go on to create "Cougar Town" and “Ted Lasso,” while Lord and Miller helped craft “The Lego Movie,” “21 Jump Street,” “Spider-Man: Into the Spider-Verse” and “The Afterparty.”

“South Park” and “The Simpsons” are still going — and even Beavis and Butt-Head has gotten a reboot — so it made sense to bring back “Clone High” last year.

It was in some ways like a return to the co-creators' first love: “This show is in the voice of us. So everything we write feels right for the show. And I realized we’ve been faking it in every other thing we’ve done,” says Miller.

The reboot has dropped Gandhi but added Kahlo, Confucius, Christopher Columbus and Harriet Tubman. Voice actors include Ayo Edebiri, Will Forte, Nicole Sullivan, Mitra Jouhari, Jackée Harry and Kelvin Yu.

Miller and Lord — who voice several characters as well — say they hired as many multi-hyphenate voice actors as they could. “We were just looking for people who also are writers themselves so they can add jokes in the recording booth,” says Miller.

The world has changed in the 20 years since “Clone High” first aired, and the men behind it have changed, too. For one thing, they're less interested in being mean.

“We’re smart enough not to laugh at people’s expense in the same way that we maybe did in the ’90s,” says Lord. “I think the thing that has happened is that people realize it’s not funny to punch down.”

The original series mocked such teen soap opera rivals as “Dawson’s Creek” and “Beverly Hills, 90210.” The new series has jokes about Wes Anderson, John Wayne, pumpkin spice lattes, being “sex positive” and cancel culture.

Both creators don't buy the common complaint in comedy these days that it's hard to be funny in this climate. They think the world is always ripe for satire.

“I think for any comedy to land, it has to poke at things that make us uncomfortable or embarrassed and has to say things that are truthful more or less, or at least, observational,” says Lord.

___

Mark Kennedy is at http://twitter.com/KennedyTwits

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Once doomed to cult status, the animated satire 'Clone High' finds a new life on Max
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March 01, 2024 at 12:18AM

Prince William condemns antisemitism during visit to London synagogue

Repost Ent dalamlima.blogspot.com

LONDON -- LONDON (AP) — Prince William condemned antisemitism during a visit to a London synagogue on Thursday, the first time he appeared in public after he unexpectedly pulled out of a royal event earlier in the week.

William, the heir to the throne, heard about how Jewish students across the U.K. have been affected by the rise of hatred against the Jewish community during his visit to the Western Marble Arch Synagogue. He also spent time with Renee Salt, a 94-year-old Holocaust survivor.

The royal said he and his wife, Kate, the Princess of Wales, are extremely concerned about the rise in antisemitism. “I’m here today to reassure you all that people do care, people do listen and we can’t let that keep going,” he said.

William spoke out last week against the fighting in Gaza and called for the Israel-Hamas conflict to end “as soon as possible.”

While his statement stopped short of calling for an immediate cease-fire in Gaza, he spoke of the “terrible human cost of the conflict in the Middle East since the Hamas terrorist attack” and urged for more humanitarian support to Gaza.

Reports of both antisemitic and anti-Muslim abuse in Britain have soared since Hamas’ Oct. 7 attack on Israel, which triggered Israel’s invasion of Gaza.

William's absence Tuesday from a memorial service for his godfather, the late King Constantine of Greece, drew significant media attention because it came at a time when William's father, King Charles III, and his wife are both suffering from health problems.

Palace officials only said that William pulled out of the service at Windsor because of a “personal matter.” They declined to elaborate but said his wife, who is recovering from abdominal surgery she underwent in January, continues to do well.

Charles, who is undergoing treatment for an undisclosed form of cancer, has canceled all his public engagements.

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March 01, 2024 at 12:03AM

Chloe's new designer Chemena Kamali puts on a 1970s-tinged debut at Paris Fashion Week

Repost Ent dalamlima.blogspot.com

PARIS -- Chloe revisited its vibrant 1970s essence, infused with late Karl Lagerfeld’s indelible influence, while propelling the brand into a new era for the debut show of its new designer Chemena Kamali on Thursday at Paris Fashion Week.

Despite Lagerfeld’s lasting presence in the brand aesthetic, Kamali is the latest in a swathe of female designers — such as Gabriela Hearst, Clare Waight Keller, and Phoebe Philo — at the helm of the storied Maison. This is apt for a house credited with inventing ready-to-wear in the post-war period that liberated women from the constraints of formality.

Here are some highlights of Thursday’s fall-winter 2024 shows:

Going back to its storied roots — or close enough — Kamali challenged the brand’s 70s heyday and, in the process, pulled in the great and good of the fashion world for her debut. It was one of the hottest tickets at Paris Fashion Week.

The morning show was a who’s who of fashion dynasties — harking back to the past and looking to the future. Pat Cleveland, the iconic model — and one of the first women of color anywhere to attain success on the runway, in the 1960s and 1970s — entered to a flurry of camera snaps with her model daughter, Anna Cleveland.

The fashion dynasty was followed shortly by Jerry Hall and Georgia May Jagger, the model daughter of Hall and Mick Jagger. They nestled into their cushioned seats near Mikhaela Aghion, the granddaughter of Chloe’s founder, Gaby Aghion.

Kamali, a 42-year-old designer from Düsseldorf who rose the ranks inside the house, said a “sense of nostalgia” and “something that triggers a memory” is at the heart of the brand — seen not just in the stars who attended but also the clothes that had one foot in the past and the other in the future.

For fall, diaphanous tiers of 1970s flounce in almost angelically light hues defined the show’s aesthetic inside a brutalist warehouse space. The gorged-out concrete and visibly rough plaster gently contrasted the femininity inherent in the designs.

The solid collection had plenty of moments of whimsy. Exaggeratedly floaty dresses were sometimes chicly tucked into giant sheeny thigh-high leather pirate boots adding unexpected styling contrasts.

So, too, did the occasional sheen of gold-metal Chloe belts, golden grape neck clasps, or the occasional giant brown leather handbag almost as big as the model holding it. Layering, statement fur, and pirate-style tights also put the style dial firmly in the late 1970s.

Kamali said she aimed to honor the brand’s heritage of liberation and innovation.

“Gaby (Aghion) wanted to liberate women from the stiffness of couture (in the 1950s) … She was one of the first to actually do ready-to-wear because she wanted women to be able to move and go to work,” Kamali explained, connecting the brand’s inception to its ongoing mission.

Reflecting on the transformative “Karl Era,” Kamali emphasized Chloe’s unique position at the intersection of nostalgia and progress.

“In the late ’70s ... (Lagerfeld) was someone who could look into the past and into the future simultaneously,” she said.

This sentiment, Kamali remarked, is at Chloe’s core, blending “this sense of nostalgia” with the fresh, paving the way for a collection that respects its rich past while boldly stepping into the future.

In a touching moment capturing that same vibe, Kamali dedicated the show to her father, who recently passed away. Her young son then jumped up unscripted into her arms from the audience as she stepped forward to the applause.

GIVENCHY’S DESIGNER-LESS DISPLAY SPARKLES AT PARIS FASHION WEEK

One more installment of Paris Fashion Week brought another designer-less Givenchy display to the (albeit sublimely chic) Avenue George V atelier. While the LVMH-owned brand’s decor was minimal – a pared-down affair across the bare wooden Point d’Hongrie parquet – it compensated with buzz as well-wishers crowded the famous Parisian avenue, and VIP guests were lavished with champagne.

The Givenchy studio took the reins for ready-to-wear again, unveiling designs brimming with flair and inventiveness. The collection opened with a mini dress featuring a scratched metallic-like surface texture, a contemporary contrast to its long, classical train. Stiff swirling neck-scarves introduced a major banding theme, echoing in rigid band panels adorning the bust of a signature house little black dress in a notable fashion-forward gesture. Oversized statement fur coats added on-trend glamour, alongside a loose A-line woolen coat with an off-kilter back and an array of gleaming gold and bejeweled earrings. Yet, amidst the acclaim, a faint murmur among attendees suggested a lack of a cohesive, creative backbone. Could this stem from the knowledge the storied house was navigating here without its captain, following Matthew Williams’ departure announced in December last year? The hope remains that this great Parisian Maison will soon find Williams’ successor.

RICK OWENS’ OTHERWORLDLY EDGE IN PORTERVILLE COLLECTION

The latest showcase from American fashion maestro Rick Owens was an avant-garde exploration of anthropomorphism, presenting a universe where human and alien blurred. Owens’ ready-to-wear collection, dubbed Porterville after the California town of his youth—a place he has described as desolate—served as a namesake and muse for this season. Emblazoned logos on tops pay homage to Owens’ roots and catapulted the audience into a display of bleak displacement and surreal, unhuman references.

Models emerged as if stepping out of the future, their silhouettes dramatically elongated by boots reminiscent of insect limbs or exaggerated horse hooves, and heads crowned with caps that merged the equestrian with the cosmic explorer. Silver balled pendants further defined the collection’s unique edge with an ancient and futuristic aura.

Owens’ signature embrace of volume came in the airbag-like body wrappings, while High Priestess-style spiked shoulders on duvet jackets and the primal fierceness of fluffed jumpsuits and capes conveyed a sense of protection.

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Chloe's new designer Chemena Kamali puts on a 1970s-tinged debut at Paris Fashion Week
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February 29, 2024 at 11:48PM

Wednesday, February 28, 2024

'Naked Gun' reboot set for 2025, with Liam Neeson to star

Repost Ent dalamlima.blogspot.com

FILE - Actor Liam Neeson appears at the premiere of the film "Hunt For The Wilderpeople" in London. Paramount Pictures is moving ahead with a long-gestating remake of “Naked Gun,” the studio announced Wednesday. Liam Neeson will star as the bumbling police detective Debin in the role made famous by Leslie Nielsen. (Photo by Vianney Le Caer/Invision/AP, file)

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February 29, 2024 at 06:47AM

Dubai's sky-high aspirations find a new outlet as it hosts a jet suit race for 'Iron Man' pilots

Repost Ent dalamlima.blogspot.com

DUBAI, United Arab Emirates -- Pilots lined up on a runway in Dubai on Wednesday and fired up their seven jet engines with an ear-splitting roar. But they weren't preparing to fly an airplane — they were the aircraft.

This city-state in the United Arab Emirates, known for being home to the world's tallest building and other wonders, hosted what it called its first-ever jet suit race. Racers zipped along a route with the skyscrapers of Dubai Marina looming behind them, controlling the jet engines on their hands and their backs.

And if it sounds like Iron Man, the Marvel comic book character made internationally known by actor Robert Downey Jr., the pilots say it is exactly like that.

“The closest analogy would be that dream of flying ... and then go wherever your mind is taking you,” said Richard Browning, the founder and chief test pilot for Gravity Industries, the firm that put on the race with Dubai. "And yes, the world of Marvel superheroes and DC Comics, they have created that dream book with CGI, and we’ve got the closest I think anybody’s ever got to to delivering that for real.”

Gravity previously drew worldwide attention when it equipped one of its jet suits on a U.K. Royal Marine, who landed on a ship at sea several years ago. In the time since, they've traveled widely with the suits and pursued other military applications for them before coming up with the idea of a competition with the Dubai Sports Council.

The races on Wednesday saw pilots wear 1,500-horsepower jet suits, more powerful than most luxury sports cars and using the same kind of fuel used by Dubai-based long-haul carrier Emirates’ Airbus A380s and Boeing 777 aircraft. Pilots lined up on a runway used at the Dubai Marina by Skydive Dubai, the thrill-seeking firm associated with the sheikhdom's Crown Prince Hamdan bin Mohammed Al Maktoum, with some parachutists coming down as they prepared their jet packs.

Then came what pilot Issa Kalfon referred to as “the moment of truth.” The engines roared and pilots jumped and leaned forward. And like a helicopter takes off, so too did the pilots as they sped around obstacles in a water channel near the site. Organizers said they picked the water site to allow for higher speeds and for safety as the pilots skimmed a short distance above the water.

The jet suit currently can reach speeds of 80 mph (128 kph), Gravity says. The pilots did pick up speed during their heats, with two actually bumping into each other but remaining in the air as a crowd watched in wonder.

“It's pretty amazing to see that they can do this in Dubai and they have these guys flying over the water,” said Jennifer Ross, 50, a U.S. citizen from Houston who now lives in Dubai. “It's kind of like astronauts flying around in space.”

While known for its beaches, bars and bazaars, Dubai has long been a city fascinated by flight, particularly as it hosts the world's busiest airport for international travel. The city has been pursuing for years the idea of flying taxis as well.

Dubai also has grown into an adventure capital as well. XDubai, which also is associated with Sheikh Hamdan, has run zip line attractions over Dubai Marina and its downtown by the Burj Khalifa, the world's tallest building.

There are risks, however. In 2020, Vincent Reffet, one of Dubai's original “Jetmen" as part of a separate venture, died in a crash during training after gaining fame for once flying alongside an Emirates double-decker A380.

Kalfon, who ended up winning the race and hoisting a golden jet turbine, acknowledged getting nervous before his flights, but described the jet suit as safe and easy to handle.

“Everything’s hot, it’s running, the engines are screaming at you," Kalfon said. "And the flag drops, and it’s just — you absolutely go for it.”

There was one crash during Wednesday's race. Emirati pilot Ahmed al-Shehhi smashed into the water during his heat, going feet first but immediately popping back up to give a thumbs-up to rescuers. An announcer described him as having just 12 days of training before the race. The smell of jet fuel came off his unit as technicians carried off a boat afterward.

Meanwhile, onlookers gaped at the jet suits, with several saying they couldn't wait to go for a ride themselves.

“You can see the best show you can ever see in Dubai because people are flying — they are flying in the sky,” said Pratik Vyas, 35, of Gujarat, India, who works in an import-export business. “It's a next-level tech. It's really, really nice because if you're a big fan of Iron Man, you know, Tony Stark, it's Iron Man tech.”

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February 29, 2024 at 01:48AM

Tuesday, February 27, 2024

2 men convicted of killing Run-DMC’s Jam Master Jay, nearly 22 years after rap star's death

Repost Ent dalamlima.blogspot.com

NEW YORK -- Two men were convicted of murder Tuesday in the death of Run-DMC star Jam Master Jay, a brazen 2002 shooting in the rap legend’s studio.

An anonymous Brooklyn federal jury found Karl Jordan Jr. and Ronald Washington guilty on charges of murder while engaged in a narcotics trafficking conspiracy and firearm-related murder for killing the pioneering DJ over what prosecutors characterized as revenge for a failed drug deal.

“Y’all just killed two innocent people,” Washington yelled at the jury following the guilty verdict.

Jordan’s supporters also erupted at the verdict, cursing the jury. “I love y’all,” Jordan said to the group who sat in the courtroom pews before they were escorted out by U.S. Marshalls after more yelling.

Jam Master Jay, born Jason Mizell, worked the turntables in Run-DMC as it helped hip-hop break into the pop music mainstream in the 1980s with such hits as “It’s Tricky” and a fresh take on Aerosmith’s “Walk This Way.” Mizell later started a record label, opened a studio in his old Queens neighborhood and helped bring along other talent, including rapper 50 Cent.

Mizell was gunned down in his studio in front of witnesses on Oct. 30, 2002.

Like the slayings of rap icons Tupac Shakur and the Notorious B.I.G. in the late 1990s, the Mizell case remained open for years. Authorities were deluged with tips, rumors and theories but struggled to get witnesses to open up.

Jordan, 40, was the famous DJ’s godson. Washington, 59, was an old friend who was bunking at the home of the DJ’s sister. Both men were arrested in 2020 and pleaded not guilty.

“Twenty years is a long time to wait for justice,” Assistant U.S. Attorney Artie McConnell had told jurors in a closing argument, urging them: “Don’t let this go on for another minute.”

The men’s names, or at least their nicknames, have been floated for decades in connection to the case. Authorities publicly named Washington as a suspect in 2007. He, meanwhile, told Playboy magazine in 2003 he’d been outside the studio, heard the shots and saw “Little D” — one of Jordan’s monikers — racing out of the building.

Prosecutors contend that the two men turned on the rap star over a cocaine deal.

Mizell had been part of Run-DMC’s anti-drug message, delivered through a public service announcement and such lyrics as “we are not thugs / we don’t use drugs.” But according to prosecutors and trial testimony, he racked up debts after the group’s heyday and moonlighted as a cocaine middleman to cover his bills and habitual generosity to friends.

“He was a man who got involved in the drug game to take care of the people who depended on him,” McConnell said in his summation.

Prosecution witnesses testified that in Mizell’s final months, he had a plan to acquire 10 kilograms of cocaine and sell it through Jordan, Washington and a Baltimore-based dealer. But the Baltimore connection refused to work with Washington, according to testimony.

According to prosecutors, Washington and Jordan went after Mizell for the sake of vengeance, greed and jealousy.

Two eyewitnesses, former studio aide Uriel Rincon and former Mizell business manager Lydia High, testified that Washington blocked the door and ordered High to lie on the floor. She said he brandished a gun.

Rincon identified Jordan as the man who approached Mizell and exchanged a friendly greeting moments before shots rang out and one bullet wounded Rincon himself. Three other people, including a teenage singer who had just stopped by the studio to tout her demo tape, testified that they were in an adjoining room and heard but didn’t see what happened.

Other witnesses testified that Washington and Jordan made incriminating statements about the Mizell killing after it happened.

Neither Washington nor Jordan testified. Their lawyers questioned key prosecution witnesses’ credibility and their memories of the long-ago shooting, noting that some initially denied they could identify the attackers or had heard who they were.

“Virtually every witness changed their testimony 180 degrees,” one of Washington’s lawyers, Susan Kellman, told the judge during legal arguments.

The witnesses said they had been overwhelmed, loath to pass along secondhand information or scared for their lives.

Washington’s defense also tapped a retired psychology professor, who testified that people’s recollections of any event can become a blend of what they actually experienced and subsequently learned.

The trial shed limited light on a third defendant, Jay Bryant, who was charged last year after prosecutors said his DNA was found on a hat at the scene. They assert that he slipped into the studio building and let Washington and Jordan in through fire door in the back so they could avoid buzzing up.

Bryant has pleaded not guilty and is headed toward a separate trial.

Testimony suggested that he knew someone in common with his co-defendants, but there’s no indication that Bryant was close with Mizell, if indeed they ever met.

Bryant’s uncle testified that his nephew told him he shot Mizell after the DJ reached for a gun, a scenario no other witnesses described.

McConnell said Bryant was “involved, but he’s not the killer.” Prosecutors’ theory doesn’t even place Bryant in the studio, though that’s where authorities found the hat with DNA from him and other people — but not the other defendants, according to court filings.

Still, McConnell suggested that Jordan or Washington could accidentally have left the hat behind after Bryant came into contact with it. But lawyers for Washington and Jordan portrayed the garment as a key piece of evidence in their clients’ favor.

“Jay Bryant is literally reasonable doubt,” one of Jordan’s lawyers, Michael Hueston, told jurors.

While the case may complicate Mizell’s image, Syracuse University media professor J. Christopher Hamilton says it shouldn’t be blotted out.

If he was indeed involved in dealing drugs, “that doesn’t mean to say his achievements shouldn’t be lauded,” said Hamilton, a former entertainment lawyer and Brooklyn prosecutor who grew up partly in Mizell’s neighborhood. Hamilton argues that acceptance from local underworld figures was a necessity for successful rappers of the ’80s and ’90s.

“You don’t get these individuals without them walking through the gauntlet of the street,” Hamilton said.

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February 28, 2024 at 04:11AM

US-Apple-Books-Top-10

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Top Paid Books (US Bestseller List):

1. The Chaos Agent by Mark Greaney (Penguin Publishing Group)

2. The Women by Kristin Hannah (St. Martin’s Publishing Group)

3. Visions of Flesh and Blood by Jennifer L. Armentrout & Rayvn Salvador (Blue Box Press)

4. The Atlas Maneuver by Steve Berry (Grand Central Publishing)

5. Crosshairs by James O. Born & James Patterson (Little, Brown and Company)

6. First Lie Wins by Ashley Elston (Penguin Publishing Group)

7. Falling for Mr. Bad by Melissa Foster (World Literary Press)

8. A Court of Thorns and Roses by Sarah J. Maas (Bloomsbury Publishing)

9. Leopard’s Hunt by Christine Feehan (Penguin Publishing Group)

10. Iron Flame by Rebecca Yarros (Entangled Publishing, LLC)

Top Paid Audiobooks (US Bestseller List):

1. Don’t Believe Everything You Think: Why Your Thinking Is the Beginning & End of Suffering (Unabridged) by Joseph Nguyen (Audible)

2. Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones (Unabridged) by James Clear (Penguin Random House, LLC)

3. The Women by Kristin Hannah (Macmillan Publishing Group, LLC)

4. Mostly What God Does by Savannah Guthrie (HarperCollins Publishers)

5. Supercommunicators: How to Unlock the Secret Language of Connection (Unabridged) by Charles Duhigg (Penguin Random House, LLC)

6. A Court of Thorns and Roses (Court of Thorns and Roses) by Sarah J. Maas (Recorded Books, Inc.)

7. First Lie Wins: A Novel (Unabridged) by Ashley Elston (Penguin Random House, LLC)

8. The Teacher by Freida McFadden (Dreamscape Media)

9. Iron Flame (Empyrean) by Rebecca Yarros (Recorded Books, Inc.)

10. A Court of Mist and Fury(Court of Thorns and Roses) by Sarah J. Maas (Recorded Books, Inc.)

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February 28, 2024 at 01:47AM

Monday, February 26, 2024

Musicians' muse Pattie Boyd auctions love letters from Eric Clapton and George Harrison

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LONDON -- Love letters to Pattie Boyd from both George Harrison and Eric Clapton are going up for sale at Christie’s auction house, alongside clothing, jewelry and other memorabilia from the renowned model and musicians’ muse.

Boyd, who was previously married both to Beatle Harrison and to guitar legend Clapton, is selling a trove of items from her time at the epicenter of the 1960s and 70s counterculture, Christie's announced Monday.

For Boyd, Harrison wrote “Something,” one of the Fab Four’s most-covered tunes. Clapton’s passion for his friend’s wife inspired the scorching “Layla.” Later, when Boyd had left Harrison and married Clapton, he serenaded her with “Wonderful Tonight.”

The auction includes two love letters from Clapton, written while Boyd was married to Harrison, and the original cover artwork for Derek and The Dominos’ 1970 album “Layla and Other Assorted Love Songs,” a painting of a blonde model who reminded Clapton of Boyd. It’s estimated to sell for between 40,000 and 60,000 pounds ($51,000 and $76,000).

There are also letters and notes from Harrison, and his handwritten lyrics for the song “Mystical One,” which have an estimated price of 30,000 to 50,000 pounds ($38,000 to $63,000).

Christie’s head of sale Adrian Hume-Sayer said Boyd’s life and career “chart some of the key moments of the cultural revolution that changed the world in the 1960s,” and the auction offered collectors and fans “an unparalleled chance to see and own a piece of cultural history.”

The more than 100 lots include photos taken by Boyd, who became an accomplished photographer, among them images of The Beatles’ 1968 stay at Maharishi Mahesh Yogi’s ashram in India.

“I’m happy to let go of these things which I have treasured and loved for so many years,” said Boyd, 79. “These items represent special moments in my life but now I think it’s time to move on and share what I have with others.”

The items are open for online bidding between March 8 and 22, and will be on display at Christie’s London headquarters from March 15 to 21.

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February 27, 2024 at 01:41AM

Biden to sit down with late-night comic Seth Meyers in New York on Monday

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WASHINGTON -- President Joe Biden plans to record an interview with late-night comic Seth Meyers on Monday while he's in New York for a campaign event with donors, according to a person familiar with his plans.

Biden's chat with the host of the NBC show “Late Night With Seth Meyers” was confirmed by a person familiar with the president's plans who spoke on condition of anonymity.

Going into this year's presidential election, Biden is trying to find additional ways to reach out to voters, having largely avoided White House press conferences and on-the-record sit-downs with text reporters. Biden also avoided the traditional pre-Super Bowl presidential interview.

Meyers has taken frequent jabs at former President Donald Trump, the front-runner for the Republican nomination.

During his first three years as president, Biden has given 33 news conferences, the fewest in that time span since Ronald Reagan, according to Martha Kumar, a Towson University professor emeritus and expert on presidents and the press. Biden has given just 86 interviews, significantly less than the 422 given by Barack Obama during his first three years.

The New York Post first reported that Meyers was interviewing the president.

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February 26, 2024 at 11:42PM

Sunday, February 25, 2024

'Past Lives,' 'American Fiction' and 'The Holdovers' are big winners at Independent Spirit Awards

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Celine Song’s quiet romance “Past Lives” won two of the biggest awards at the Film Independent Spirit Awards Sunday afternoon, including best feature and best director. Other big winners were Cord Jefferson’s comedic satire “ American Fiction,” with Jeffrey Wright winning for lead performer; and Alexander Payne’s “ The Holdovers," which won prizes for Da'Vine Joy Randolph and Dominic Sessa.

The 39th edition of the show was held Sunday in a beachside tent in Santa Monica, California, and streamed live on IMDb and Film Independent’s YouTube channels and X accounts.

“Thank you so much for letting me share what it feels like to be human, to love and be loved, and thank you for loving our film," Song said in accepting the directing prize.

Her film was among the top nominated at the show, alongside “May December,” which won only one award (for Samy Burch's first screenplay) and “American Fiction,” which fared better.

Wright won for playing a frustrated author who becomes wildly successful by writing something he hates in “American Fiction.”

“You go to these awards shows, you kind of grow tired of them," Wright said. “And then you get one, and it kind of changes the vibe a little bit.”

He noted that it was made independently because “nobody wanted to finance it.”

The Spirit Awards sit firmly within the larger Hollywood awards season, which culminates with the Oscars on March 10. But with a budget cap of $20 million for nominees, the show celebrates films that sometimes go unheralded, or at least under-nominated, at the bigger shows.

“Welcome to the Film Independent Spirit Awards, also known as the bisexual oscars,” host Aidy Bryant said. Bryant called it “the only place in the world where $20 million is like no money.”

Randolph continued her sweep of the broader season, winning best supporting performance for playing the grieving cook Mary Lamb in “The Holdovers.” Not 24 hours ago, right across town, she also picked up the best supporting actress award at the SAG Awards.

“Independent films are the beating heart of our industry, and they are worth fighting for,” Randolph said. She did, however, wish that they might have been able to afford heated seats while filming in Boston in the winter.

Randolph beat out the likes of Anne Hathaway (“Eileen”), Charles Melton (“May December”) and Sterling K. Brown (“American Fiction”) for the prize. The Spirit Awards switched to gender neutral acting awards in 2022. The first awards were given at the 2023 show.

Her co-star, Sessa, later won the breakthrough prize.

“I promise it’s not all downhill from here,” Sessa said, thanking his high school acting teachers.

Last year, “Everything Everywhere All At Once” swept the Spirit Awards before going on to do the same at the Oscars. But this year, many top Oscar contenders — including “Oppenheimer,” “Barbie” and “Killers of the Flower Moon” — would not have qualified.

Kaouther Ben Hania’s film “ Four Daughters,” which is nominated for the corresponding Oscar, won best documentary. And Justine Triet’s “ Anatomy of a Fall, ” also nominated for best picture at the Oscars, won best international feature over “The Zone of Interest.”

“Los Angeles has a special place in my heart. It’s the city of John Cassavetes and Gena Rowlands,” Triet said. “Without discovering them at their films at the age of 20, I wouldn’t have had the desire to make my own films and I wouldn’t be here today.”

The Cassavetes ethos actually has its own award, honoring a film made for under $1 million. That prize went this year to “Fremont,” about an Afghan translator working for a Chinese fortune cookie factory.

The show had some unexpected background noise, from one man with a loudspeaker conducting a pro-Palestine protest outside the tent that lasted for some time.

“We are at the beach, and people are celebrating their freedom of speech,” Bryant said.

The shouting outside disrupted Jim Gaffigan’s tribute to “Jury Duty” and many more winners’ speeches. Comedian Jimmy O. Yang, speaking from the stage to present the best cinematography award, assumed it was a heckler outside.

Later, “Fremont” filmmaker Babak Jalali said he was sure that what was being said outside the tent was much more important than anything he had to say.

The Spirit Awards also honor television. Netflix’s “Beef” won best new scripted series and Ali Wong picked up best lead performance.

Nick Offerman won best supporting performance in a new scripted series for his turn in “The Last of Us.” And 11-year-old actor Keivonn Montreal Woodard also won the breakthrough performance award for a new scripted series for “The Last of Us,” giving his acceptance speech in American Sign Language.

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'Past Lives,' 'American Fiction' and 'The Holdovers' are big winners at Independent Spirit Awards
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February 26, 2024 at 10:17AM

"Peetah" Morgan, lead singer of prominent reggae band Morgan Heritage, dies at age 46

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FILE - Reggae singer Peter Anthony Morgan of Morgan Heritage performs on the at the New Orleans Jazz and Heritage festival Saturday, May 4, 2002, in New Orleans. Peter Morgan, lead singer of the popular reggae band Morgan Heritage that he founded with five siblings, died Sunday, Feb. 25, 2024, at age 46, his family announced. Morgan, known as "Peetah," was a son of renowned Jamaican reggae singer Denroy Morgan. (AP Photo/Douglas Mason, File)

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February 26, 2024 at 07:41AM

MILAN FASHION PHOTOS: Feben, Rave Review promote looks for women of all shapes, ages and sizes

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MILAN -- London-based designer Feben opened the last day of Milan Fashion Week with a refreshingly diverse runway in every way, both in size and race.

“I think why you are not seeing that around is because you are not seeing a lot of Black women in creative roles,” said the designer, who is originally from Ethiopia and grew up in Sweden.

Her latest collection was sponsored by Domenico Dolce and Stefano Gabbana as part of their ongoing program to support young talent.

“Obviously because I want to feel seen, and I think everyone should feel seen no matter what body type or what skin color they have. And I think it is really important to have more people on board who are from different parts of the world. And I think that makes a huge difference," Feben said, adding that the fashion world shouldn't shy away from conversations around such issues. “There is nothing wrong with issues. We just have to find a solution.”

Highlights from the last day Sunday of Milan Fashion Week of mostly womenswear previews for fall-winter 2024-25.

Swedish brand Rave Review, founded in 2017 by Livia Schuck and Josephine Bergqvist, took up where Feben left off on Sunday with a casting of models of all shapes, races and ages for the latest collection of their brand of fully upcycled garments.

“That has always been important to us," Schuck said backstage. “We really wanted to show the actual girl wearing the clothes. It is really essential.”

The collection is based on thrifting from your grandmother’s wardrobe and giving the garments new life. Plaid fabrics sewn on the bias into skirts and tops made out of argyle sweaters formed the core of the collection. Men’s ties became belts or chokers. There was something for every body type, from short skirts, to form-hugging dresses and overcoats.

“When we started, we didn’t see so many brands starting with upcycling. Now there is more, which is great,” Bergqvist said. After launching mostly with home textiles and making a splash with outerwear constructed out of blankets, Rave Review is now adding dead stock to their materials.

In an act of inclusion, Bergqvist brought her baby with her for the final bow.

Francesca Liberatore’s took her love of the theatrical to Milan’s Conservatory, showing her latest collection in three parts with the collaboration of the Alpen Symphony Orchestra.

The show in the conservatory’s packed auditorium opened with models in punk attire walking through the auditorium to timpani drumbeats. The orchestra took their places wearing individualized looks — violinists in peach and blue skirts, or light blue trousers with Alpine flower motifs, a cellist in a bright turquoise suit — instead of customary black.

A third group of models wearing black symphony garb and tall headpieces embedded with spotlights walked in one by one, turning on the lights of each player, at which point they picked up their instruments and joined the music.

The show mixing fashion and music closed with Hayden’s “Farewell” symphony, written as a protest, and each musician put down their instruments, turned off their music stand lights and exited the stage as they finished.

Liberatore said that she didn’t have any specific protest in mind.

“I think we need to stand up for our values," she said.

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February 26, 2024 at 06:17AM

'One Love' receives more love at the box office, claiming No. 1 spot for second straight week

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LOS ANGELES -- For a second straight week, biopic “ Bob Marley: One Love ” continues to exceed expectations by claiming the No. 1 spot at the box office, overcoming two debut films and Sony's “Madame Web” that's still producing subpar numbers.

The Paramount film starring Kingsley Ben-Adir pulled in $13.5 million during its second week of release. The project, which was produced for about $70 million, already eclipsed that mark, grossing nearly $72 million domestically in North America.

It's an impressive achievement for the Reinaldo Marcus Green-directed Marley's musical biopic that's focused on the Rastafarian legend's story during the making of his 1977 album “Exodus" while leading up to his impactful concert in his native Jamaica.

"Some of his greatest hits came out nearly 50 years ago, but his music still resonates through this film,” said Paul Dergarabedian, senior media analyst for data firm Comscore.

“One Love” drew nearly $2 million more than “Demon Slayer: Kimetsu No Yaiba - To the Hashira Training” which placed No. 2. The latest installment in the Japanese anime series from Crunchyroll and Sony debuted with $11.7 million.

“Demon Slayer” scored the impressive opening number from only 1,949 locations — far less than “One Love” with 3,597 and 3,020 for “ Ordinary Angels " — a faith-based Lionsgate film starring Hilary Swank that placed third at the box office with an estimated $6.5 million.

“There might not be any huge blockbuster films recently, but there some real gems out there for moviegoers to see,” Dergarabedian said.

All three of those films outperformed better than “ Madame Web," which has struggled to find its footing after the superhero movie flopped last week. It was thought the Spider-Man spinoff would draw strong numbers — especially with Dakota Johnson starring as the film's lead Marvel character.

But so far, it hasn't lived up to the hype, producing just $6 million in its second week and grossing a little more than a disappointing $35 million.

After its 10th weekend, Universal's animated “ Migration ” rounded out the top five with $3 million, bringing its domestic total to $120 million. “ Argylle ” placed sixth with $2.8 million barely outpacing “ Wonka," which reeled in $2.5 million. Paul King’s musical starring Timothée Chalamet as a young Willy Wonka has grossed more than $214 million after 11 weeks.

The Ethan Coen-directed “ Drive Away Dolls ” debuted eighth with $2.4 million ahead of “ The Beekeeper ” and “The Chosen” season four, a Christian series focused on Jesus Christ.

Dergarabedian called this past week a slow one. But next week, he expects it'll pick up greatly with the highly anticipated “ Dune: Part Two ” making its long-waited debut, which should end the top spot reign by “One Love.”

“It's the calm before the sandstorm,” he said.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Bob Marley: One Love,” $13.5 million.

2. ““Demon Slayer: Kimetsu No Yaiba - To the Hashira Training,” $11.5 million.

3. "Ordinary Angels," $6.5 million.

4. “Madame Web,” $6 million.

5. “Migration,” $3 million.

6. “Argylle,” $2.8 million.

7. “Wonka,” $2.5 million.

8. “Drive-Away Dolls,” $2.4 million.

9. “The Beekeeper,” $1.9 million.

10. “The Chosen,” Episodes 4-6, $1.7 million.

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'One Love' receives more love at the box office, claiming No. 1 spot for second straight week
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February 26, 2024 at 03:17AM

Saturday, February 24, 2024

'Oppenheimer' wins top honor at the Screen Actors Guild Awards, solidifying its Oscar frontrunner status

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'Oppenheimer' wins top honor at the Screen Actors Guild Awards, solidifying its Oscar frontrunner status
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February 25, 2024 at 10:41AM

List of winners at the 30th Screen Actors Guild Awards

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List of winners at the 30th Screen Actors Guild Awards
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February 25, 2024 at 08:17AM

Famed Cuban diva Juana Bacallao, who ruled the island's cabaret scene, dies at 98

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FILE - Cuban singer-entertainer Juana Bacallao, or "Juana La Cubana", performs at the "One-Eyed Cat" cafe in Havana, Cuba, May 22, 2010. Bacallao, who until recently continued performing and making presentations on Cuban stages, died on Saturday, Feb. 24,2024, reported the island's Ministry of Culture. She was 98 years old. (AP Photo/Javier Galeano, File)

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February 25, 2024 at 03:41AM

MILAN FASHION PHOTOS: Ferragamo, Dolce&Gabbana conceal and reveal, balance transparency with cover

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MILAN -- While the fashion industry discusses size diversity from time to time, there was little evidence of real evolution on the Milan runway this season.

On Saturday, Paloma Elsasser walked Ferragamo in a satin plunge-neck cocktail dress, and Dolce&Gabbana included models of normal size. But the thinness of some models was a topic of pre-show chatter.

Ashley Graham, who sat in the front row of Dolce&Gabbana, as recently as the September shows, lamented how often she is the only larger model on runways.

Some highlights from the fourth day of Milan Fashion Week, mostly womenswear previews for fall-winter 2024-25.

Maximilian Davis’ Ferragamo collection both conceals and reveals, with oversized masculine woolen overcoats covering wispy, transparent embroidered dresses. It is the freedom to choose who sees what.

The designer, in his third winter seasons at the Florence-based family-run fashion house, took inspiration from the 1920s Prohibition era, when a U.S. booze ban drove revelers underground.

“People were using clothing as a way to kind of hide what they were doing, as a massive celebration of freedom,” Davis said backstage. “They were going to speakeasies and they didn’t want (anyone) to be seeing what they were wearing.’’

Wool coats have broad shoulders and masculine silhouettes in the style of Joan Crawford and Greta Garbo. Underneath, dresses of scalloped sequins and draped fringe recall flapper looks with contemporary discipline. Looks without pants were paired with woolen tights for full-cover, while hip boots rose the hemline of knit mini-dresses. Footwear included heels fully concealed beneath a flurry of feathers.

Davis covered men head to toe in leather, from thigh-high fishermen boots to gloves, or freed them to reveal a leg in flat-pocket shorts with thick cropped knitwear.

“People need to let go, and just be free,” he said, as Ferragamo declared “an era of emancipation.”

Eva Mendes and Ashley Graham sizzled in the Dolce & Gabbana front row — the actor wrapped in a leopard coat over leather, neckline glistening with a lariat necklace to matching dangly earrings, and the model mirroring the tuxedo runway with a white tuxedo jacket and black trousers.

On the runway, the collection oozed sexiness, as designers Domenico Dolce and Stefano Gabbana combined tuxedo tailoring with their lingerie mastery for looks that were more, or less, revealing, with an array of garments to adjust the temperature up or down.

Cropped tuxedo jackets revealed lacy bras, while sheer sarong skirts tied in a satin bow showed off lace panties. Looks finished mostly with stiletto heels and felt berets with netting. More modestly, full tuxedos were formfitting with cigarette trouser or short shorts and cropped jackets that allowed peek-a-boo moments. The collection was rigorously black, with a few liquid gold and silver moments.

Naomi Campbell closed the show in a layered lace bras, front-slit sarong and fetish leather gloves, giving a slight wiggle as she exited the runway to the delight of the fashion crowd.

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February 25, 2024 at 02:17AM

Friday, February 23, 2024

Backstory of disputed 'Hotel California' lyrics pages 'just felt thin,' ex-auction exec tells court

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NEW YORK -- The explanation given for the source of 13 pages of drafts of lyrics to the Eagles' “Hotel California” raised red flags to a prominent auction house, a former executive testified Friday at a criminal trial surrounding the handwritten pages.

Former Christie's manuscripts chief Tom Lecky was initially excited by the 2015 opportunity to sell pieces of the development of one of classic rock's biggest hits. But, he said, he developed qualms after the would-be seller said he got them from a writer who worked with the band decades earlier on a never-published biography.

“It just felt thin, to me,” Lecky said. “It felt like there was potential risk."

Lecky testified for prosecutors at the trial of Craig Inciardi, Glenn Horowitz and Edward Kosinski, three collectibles professionals who at various points had pages from “Hotel California” and other songs from its eponymous album. The 1976 disc is the third-biggest seller in U.S. history.

Prosecutors and Eagles co-founder Don Henley say the writer had stolen the pages. The defendants are accused of covering it up to fool auction houses and fight Henley's demands for the documents' return.

Kosinski, Inciardi and Horowitz have pleaded not guilty to charges including conspiracy to criminally possess stolen property. Their lawyers say the men rightfully owned the documents, weren't out to deceive anyone and were just trying to deal with legal threats from a regretful rock star who'd let the pages go.

Inciardi and Kosinski bought the documents from Horowitz, a prominent rare-book dealer. He had purchased them from the writer, Ed Sanders. Sanders hasn't been charged with any crime and hasn’t responded to a phone message seeking comment on the case.

Inciardi, then a curator at the Rock & Roll Hall of Fame, brought the “Hotel California” pages to Lecky in late 2015.

Lecky was jazzed.

Handwritten in felt-tip pen on yellow legal-style pads, “this was a great early version, this working out of ideas right on the page,” he recalled on the witness stand Friday.

“As a fan of culture and literature and history, it’s just an obvious thing to be excited about," Lecky said, and it seemed “highly marketable."

He and Inciardi agreed to set a price that would net the sellers at least $700,000 in a potential private transaction, according to a document shown in court.

But Lecky knew a key question would be provenance, an auction-world term for an item's bona fides and source. “The market is very suspicious,” Lecky explained, since buyers want to avoid competing ownership claims.

He said he started to worry when Inciardi emailed him that the provenance was Sanders.

“Having someone work on a book made me think, ‘OK, they have access to papers’ … that doesn’t necessarily mean the archive is being given,” Lecky testified.

After a discussion including Inciardi and a Christie's lawyer, he said, the auction house decided not to broker a sale. The pages went back to Inciardi.

“My opinion was that we didn’t have sufficient provenance information to be able to successfully market it to somebody,” Lecky said Friday.

Sotheby's later listed those lyrics sheets for public auction, prompting objections from Henley and spurring the investigation that led to the ongoing trial. The Manhattan district attorney's office collected the pages from Sotheby's, which hasn't been charged with any crime and has declined to comment on the trial.

Sanders did indeed work with the Eagles on an authorized band biography. (A multifaceted 1960s counterculture figure, he also co-founded the rock band The Fugs.)

He told Horowitz in a 2005 email that Henley provided “total access to his boxes of stuff” at his Southern California home and that the musician's assistant sent Sanders anything he picked out, according to the indictment.

But Henley objected after Kosinski, a rock memorabilia dealer, put up four sheets of “Hotel California” drafts on his auction website in 2012. The musician's legal team reported them stolen and asserted Henley's ownership to at least some of the defendants.

Nevertheless, Henley bought those pages for $8,500, hoping “that this was the only thing out there and that he could buy it and it would be over,” longtime Eagles manager Irving Azoff testified earlier this week.

Meanwhile, Horowitz and Inciardi began discussing a shifting series of alternate stories about how the writer had gotten the documents, consulting at points with Sanders, according to emails recounted in the indictment.

One version, which Sanders apparently rejected, had him stumbling across the documents discarded backstage at an Eagles show, for example. Another, which Horowitz broached after Eagles co-founder Glenn Frey died, named him as the source.

Kosinski forwarded a Sanders email with another explanation — that he couldn't remember who gave him “Hotel California” lyrics sheets during the book research — to Henley's lawyer in 2012, according to the indictment.

At later points, Kosinski asked Sotheby's not to tell potential bidders about Henley's complaints and said the musician had “no claim” to the cache, the indictment says.

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February 24, 2024 at 03:02AM

New designers make a splash at Moschino, Tod's during Milan Fashion Week

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MILAN -- Designers are giving their first impressions at their new fashion houses during Milan Fashion Week.

In a game of musical chairs, Matteo Tamburini showed his first collection for Tod's on Friday just hours before his predecessor there, Walter Chiapponi, made his debut as creative director of Blumarine.

Adrian Appiolaza premiered his first collection for Moschino Thursday evening in a bittersweet moment just a month and a half after being named. His appointment followed the sudden death of David Renne just 10 days into his tenure.

Here are highlights from designer debuts during Milan Fashion Week of mostly womenswear previews for Fall-Winter 2024-25.

Having just six weeks to pull together a collection forced Argentinian Appiolaza to be very decisive, creating a collection that he said “didn’t feel too overthought.”

He plunged into the archives, taking inspiration from fashion house founder Franco Moschino’s sense of subversion, love of archetypes and trompe l’oeil playfulness.

Appiolaza’s vision invoked a dreaminess. Looks were as if being roused from sleep, and the garments were at times surreal — folded newspaper boat hats, turbans created from shirt sleeves, or a cowboy hat that was unfinished in the back, like a piece of stage scenery seen only from the front. A top was constructed out of men’s ties; a golden bowtie hung sideways as a necklace. Extravagant strands of pearls were worn under a sheer dress.

The feminine silhouette was defined by ruffles, bustles and slip dresses, complemented by men’s vests fitted with garters, oversized cloth shirts and masculine trousers.

“The idea was trying to convey Franco’s universe. It was not really about creating a ready-to-wear collection, but something that told a story," Appiolaza said backstage after the Thursday evening show.

While many brands made circumspect reference to global conflicts, responding mostly with comfort collections of cozy clothes, Appiolaza was more direct, with garments emblazoned with peace signs or the word PEACE written capitals. “I thought it was a good idea to bring peace as a universal message," the designer said.

Closing the show, a Black model wore a top of the Italian tricolor, green, white and red, which Appiolaza said was part of the collection’s message of inclusion. Some social media commentors read it also as a statement about the war in Gaza: the Palestinian flag is green, white, red and black, the black reflected in the closing look’s monochrome skirt and collar detailing on the tricolor top with a trailing tassel. The model carried a piece of bread.

Matteo Tamburini’s journey with Tod’s departed from a Milan tram depot, with the city’s distinctive vintage orange trams serving as a backdrop.

“We selected this location because it speaks to dynamism, which is closely linked to the Tod’s aesthetic. The collection was thought for people who travel, who move in the world," Tamburini said backstage, citing the daytime workhorse Di Bag and the trademark driving moccasin as key starting points.

The mostly monochrome looks featured rich leather dresses, skirts and overcoats, made cozy with layered, twisting knitwear. Trenches were oversized; button-down cotton shirts were layered one over the other; trousers featured deep cuffs, while jacket shoulders were slightly enlarged. Bags were soft, molding into the body. Belts had oblong buckles resembling a vehicle grating. The driving shoe featured long tassels, for movement.

Tamburini said the collection reflects the duality of Milan, at once an expression of the bourgeois and Italy's industrial power.

Tod’s group recently announced an operation to delist the company. Speaking on the sidelines of the show, chairman Diego Della Valle told reporters there was no reason to sell the business after the operation is complete. “We have a family business with young people who want to do this job. What could be better?’’ he asked.

Front-row guests included Chinese actor Xiao Zhan, U.S. actor Larsen Thompson and South Korean singer Jungwoo.

Walter Chiopponi took Blumarine back to hits romantic rebel days of the 1990s when the star vibes of Chloe Sevigny and Mila Jovovich aligned with the fashion house.

The creative director assembled an array of female codes for his debut collection: bows and lace, animal prints and florals, kitten knits and silk.

The Blumarine girl was wandering home after a night out, at times disheveled in an animal print coat, silken shorts and floral pumps with a tattered bow that looked well walked-in. Full of the emotion of the evening, she held it together in soft pastel knits and floret applique tops and dresses that epitomized femininity. A velour slip dress with lace gloves, and a black lace dress over animal print tights gave boudoir looks the final say.

“The clothes are made by the city,’’ Chiopponi said.

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February 24, 2024 at 12:47AM

Thursday, February 22, 2024

Herbstreit, Fowler to be voices in EA Sports college football game that will feature every FBS team

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Kirk Herbstreit and Chris Fowler are in the game.

ESPN “College GameDay” analyst Herbstreit and network broadcaster Fowler announced Thursday on social media they will be voices in EA Sports' upcoming college video game. Analysts David Pollack and Jesse Palmer made similar announcements.

The broadcasting updates came the same day that media outlets, including ESPN, reported FBS players were receiving invitations from EA Sports to have their name, image and likeness in the game, which the developer has said would be launching in summer 2024.

John Reseburg, vice president of marketing, communications and partnerships at EA Sports, said Thursday on social media that the game is a “scale of NIL that has never been done before.”

“More than 11,000 individual NIL deals all at once. Guaranteed income for athletes that opt-in. It’s in the game," Reseburg tweeted.

EA Sports College Football 25 will feature all 134 FBS teams, the video-game developer announced.

Notre Dame's inclusion had been a big question mark since the school said in 2021 it would not participate “until such time as rules have been finalized governing the participation of our student-athletes.” But the Fighting Irish's athletic director, Jack Swarbrick, said Tuesday they're in.

“The work that EA SPORTS is doing to provide over 11,000 college student-athletes opportunities to benefit directly from their name, image and likeness is a first-of-its-kind undertaking and we’re proud to have been involved in the process,” Swarbrick said in a statement on social media.

Sean O’Brien, EA Sports vice president of business development, told ESPN that players who opt in will receive $600 and a copy of the game.

A generic avatar created “based on the traditional strength or weakness of a position over the past decade for that school" will be used in place of players who opt out, Daryl Holt, EA Sports senior vice president, told ESPN.

Holt also told the network that gamers will not be able to create an opted-out player, but “I won’t reveal how we’re dealing with that."

“But yeah, you won’t be able to edit that,” Holt told ESPN.

___

AP college football: https://ift.tt/fBlH4sW and https://ift.tt/S9gvfKb

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February 23, 2024 at 02:11AM

Home chef Ella Mills offers some plant-based recipes for anyone tempted by a healthier way to eat

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Ella Mills knows we all want to eat healthier. But the English food writer and businesswoman also knows we're busy and we want everything to taste good. And she understands many of us are nervous about the idea of committing to no meat.

“I know I used to think eating this way would be just like nibbling on sad and soggy carrots and rabbit food all day long,” she says. “But you suddenly start cooking and you realize it’s actually super-flavorsome and textured and interesting and just not what you thought it was.”

Mills is ready to guide us as through this with a line of healthy products and her latest cookbook, “Healthy Made Simple,” featuring over 75 plant-based recipes, from Lemony Pea and Broccoli Pasta to a Creamy Leek, Spinach and Butter Bean Bowl.

“It’s about taking these familiar ingredients that are often seen as a little bit bland, a little bit boring, and trying to give them gentle twists, to make them feel really exciting and rejuvenated,” she says.

“Healthy Made Simple” contain dishes Mills eats at home with her husband and two young children. She aims to have the recipes take less than 30 minutes to make, use no more than five simple steps, and need 10 ingredients or less.

"I just found that was essentially the sweet spot where action and reality merged closer together," she says.

“We know we need to eat less ultra-processed food. So this is a hand-holding resource to help you do that.”

Mills took a hard look at some of her favorite dishes and tried to create a better balance between flavor, practicality, nutrition and speed.

“What I found was that oftentimes there was an extra step or an extra pan in there, or like two or three extra ingredients. And it probably made it 5% nicer or 10% nicer," she says. “But I’d end up not making the recipes anymore because it was just that little bit more effort.”

“Healthy Made Simple” celebrates whole foods and uses proteins from things like nuts, tofu, lentils, beans and chickpeas. The flavors are global, with ingredients including harissa, udon, satay, miso, pesto, tagine and curry.

"As you start to look around the world, there’s so many places where not necessarily the whole society is vegetarian, but vegetables are the hero and they’re treated with a lot of TLC,” she says.

Take her One-Pan Peanut and Cauliflower Stew, which combines peanut butter, ginger, coconut milk, garlic, rice and curry powder with simmering cauliflower florets. It's got heat, crunch and tastes indulgent.

Lauren Whelan, the publisher for Yellow Kite, the lifestyle and cooking imprint of Hodder & Stoughton, says Mills' creativity shows the versatility and simplicity of plants. Mills' sweet potato brownies revolutionized the way that vegetable is used in the U.K., Whelan says.

If Mills is an evangelist for vegetarianism, she says she's proof of its benefits. At 21, she was diagnosed with Postural Tachycardia Syndrome, which affected her nervous system, and was put on a variety of medications.

She chose to overhaul her diet and started documenting her experience in a blog. Able to wean herself off medicines, Mills has since built up her Deliciously Ella business into seven cookbooks and a food brand.

Mills isn't preachy and knows her readers may not be ready to go full-on vegetarian. For her, it's about small steps that can make meaningful changes, like making one or two plant-based dishes a week or highlighting a vegetable one night with the meat as the side dish.

“This is not all or nothing. This is not ‘Everyone should go plant-based tomorrow’ or ‘Everyone should only cook from this book,’” she says. “But it’s like on a Sunday night when you’re at home, could you do one of these recipes and then you’d have some leftovers for lunch?”

One of her new dishes — Spicy Sun-Dried Tomato and Eggplant Ragu — is perfect for skeptics. It adds some heat from harissa and chili to a pasta with eggplant and parsley, finished with walnuts.

“It has this kind of chunky, bolognese ragu-esque texture. That’s the kind of thing that I would make a lot for friends or family who are not sure they’re going to love plant-based stuff, but when you’re tossing that through some nice spaghetti you can always serve it with parmesan on the side,” she says.

Mills knows the world of health and wellness often chases trends, but she believes in the ultimate power of a well-dressed carrot.

“We so often see health and looking after ourselves as a trend, as a fad, as a six-week plan. Ultimately, that’s not health. Health is looking after yourself for decades," she says. And to do that, "It can’t be deprivation. It has to be something you want to do on a regular basis.”

___

Mark Kennedy is at http://twitter.com/KennedyTwits

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Home chef Ella Mills offers some plant-based recipes for anyone tempted by a healthier way to eat
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February 23, 2024 at 12:49AM

Wednesday, February 21, 2024

Milan Fashion Week showcases emerging Black designers, launches initiative to fight discrimination

Repost Ent dalamlima.blogspot.com

MILAN -- Milan Fashion Week highlighted diversity and in a new initiative that aims to promote inclusion across the industry and the return of a showcase for underrepresented designers as five days of mostly womenswear previews for Fall-Winter 2024-25 got underway on Wednesday.

An agreement signed Tuesday by the Italian fashion council, a governmental anti-discrimination office, and a nonprofit promoting African fashion seeks to “trace, identify and fight” discriminatory practices. The initiative will start with a broad survey to create a snapshot of the representation of women, people of color and other underrepresented groups across the industry, from fashion houses to suppliers.

The president of the Italian National Fashion Chamber, Carlo Capasa, told The Associated Press that he hopes to have results in a year.

Capasa said he was approached by Premier Giorgia Meloni ’s anti-discrimination office for the initiative “to understand what can be done better,” tapping the fashion industry as a closely watched agent of change in society.

“I don’t think an association like ours can solve the (discrimination) problem, or it would be very simple to fix. I think we can try to make a small contribution," Capasa said, adding that the government's role was critical. “The level of awareness has changed, which is already a step forward."

The Italian fashion industry has been under pressure since the Black Lives Matters movement to be more transparent about representation of people of color in decision-making roles. But ascertaining numbers has been stymied by privacy limits that Capasa said the new survey hopes to overcome.

He distinguished the initiative's focus behind-the-scenes from others promoting designers of color, such as the We Are Made in Italy, which mentors designers of color living and working in Italy, and the Black Carpet Awards, which honors diversity across sectors.

The Fashion Hub again showcased emerging designers from underrepresented communities, featuring U.S. brands BruceGlen and anOnlyChild and British brand Sabirah. The initiative, sponsored by Blanc Magazine’s Teneshia Carr and the Italian fashion council, offers a space to meet buyers and the fashion community on the hunt for new brands.

Bruce and Glen Proctor, the twins behind the BruceGlen brand, gave a superhero vibe in their colorful “Thrills” tracksuits in layered v-lapels recalling Michael Jackson’s Thriller jacket. Bruce in burgundy, violet, pumpkin and umber, and Glen in bright fuchsia and eggplant with an aqua-blue base.

With a collection built around a light-catching melange of rainbow colors, BruceGlen is not about staples, but spreading joy.

“That is our goal with BruceGlen, to design clothing that ignites joy. When I look at myself in the mirror with this outfit it makes me smile,’’ Bruce said.

Deborah Latouche’s latest Sabirah collection was inspired by Dominique Deveraux, the first Black fictional character featured on the 1980s TV series “Dynasty.”

“She wore head to toe monochrome, with a matching hat, matching bag and matching shoes. She was just everything,’’ Latouche said. “Definitely in the U.K. we thought, ’we are seeing someone who has an amazing presence on television.'"

Latouche recreated the Deveraux's spirit with a liquid golden dress cascading down the figure into a train and topped with a snood, a look fit for any red carpet and in keeping with the brand's modesty ethos.

Maxwell Osborne took inspiration from his Jamaican roots for his New York-based anOnlyChild collection, creating looks out of mostly deadstock fabrics that suggest an elevated repurposing of hand-me-downs.

“My family grew up with nothing but their uniforms for school always had to be pressed and clean. But they also had no shoes,'' said Osborne, a self-taught art student who cut his teeth at Puff Daddy's brand Sean John. ”There was this joy and playfulness. This was their world."

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Milan Fashion Week showcases emerging Black designers, launches initiative to fight discrimination
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February 22, 2024 at 05:26AM