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Wednesday, January 31, 2024

Federal judge dismisses Disney's free speech lawsuit against DeSantis; second lawsuit still pending

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ORLANDO, Fla. -- A federal judge on Wednesday dismissed Disney's free speech lawsuit against Florida Gov. Ron DeSantis, leaving the company's remaining hopes of regaining control of the district that governs Walt Disney World to a separate state court challenge.

U.S. District Judge Allen Winsor in Tallahassee said in his decision that Disney lacked standing in its First Amendment lawsuit against the Republican governor, the secretary of the Florida Department of Economic Opportunity and DeSantis' appointees to the Disney World governing district. The separate lawsuit is still pending in state court in Orlando.

Disney had argued that legislation signed by DeSantis and passed by the Republican-controlled Legislature that transferred control of the Disney World governing district from Disney supporters to DeSantis appointees was in retaliation for the company publicly opposing the state’s so-called don’t say gay law. That 2022 law banned classroom lessons on sexual orientation and gender identity in early grades.

Disney supporters had run the district, which provides municipal services such as firefighting, planning and mosquito control, for more than five decades after the Legislature created it in 1967.

Winsor, who was appointed to the bench by President Donald Trump in 2019, said in his decision that when a law on its face is constitutional, plaintiffs can't make free-speech claims challenging it because they believe lawmakers acted with unconstitutional motives.

“Because that is what Disney seeks here, its claim fails as a matter of law,” Winsor wrote.

Disney didn't immediately respond to an email seeking comment or say publicly whether it would appeal the ruling.

___

Follow Mike Schneider on X: @MikeSchneiderAP.

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February 01, 2024 at 03:13AM

Music from Memphis' Stax Records, Detroit's Motown featured in online show

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MEMPHIS, Tenn. -- Fans of the soulful sounds of Detroit’s Motown and Memphis’ Stax Records will be able to enjoy music from both brands in the same place if they watch and listen to a free, online show streaming during Black History Month in February.

Registration has begun for “Stax Meets Motown,” which features musicians from Stax Music Academy playing hits from both of the influential soul and R&B music labels. It features musical performances intertwined with filmed segments related to Black history.

The show includes songs from Motown’s Stevie Wonder, Diana Ross and The Supremes, Marvis Gaye and Tammi Turrell, and the Jackson Five. Stax’s contribution comes from Otis Redding, Sam and Dave, Rufus Thomas, Johnnie Taylor and the Bar-Kays.

The presentation recorded at historic Booker T. Washington High School in Memphis is geared towards students, teachers, youth associations and other organizations, “with a focus on groups that typically lack access to the arts,” a Stax news release said.

“Think Glee meets Grease meets Fame meets Hairspray, all with classic 1960s soul music,” Stax said in the release.

A companion study guide included with the presentation looks at the civil rights movement and discusses Black radio, race and the recording industry, fashion, and the Detroit Riots of 1967, Stax said.

Stax Music Academy began these virtual presentations in 2021 during the COVID-19 pandemic.

“This year’s show is a lively comparison of Stax and Motown,” said Stax Music Academy Executive Director Isaac Daniel. “Think of it as the best of both worlds of music from the 1960s and 1970s.”

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February 01, 2024 at 12:11AM

Tuesday, January 30, 2024

White House-hosted arts summit explores how to incorporate arts and humanities into problem-solving

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WASHINGTON -- The Environmental Protection Agency will assign artists to treasured bodies of water in the United States under a new program announced Tuesday at a White House-sponsored conference on exploring ways to use the arts and humanities as another instrument for problem-solving.

Leaders from government, the arts, academia and philanthropy gathered in Washington for “Healing, Bridging, Thriving: A Summit on Arts and Culture in our Communities." Panel discussions focused on turning to the arts and humanities to solve challenges, from improving health to bridging divides.

The National Endowment for the Arts and the White House Domestic Policy Council hosted the daylong conference, which was the product of a September 2022 executive order from President Joe Biden.

Neera Tanden, who advises the Democratic president on domestic policy issues, said in an interview with The Associated Press before the summit that the arts help “people to see each other and understand how we're connected,” which can help “mend the social fabric of the country.”

Maria Rosario Jackson, the NEA chair, in a separate interview said the conference is an “unprecedented opportunity for people from different sectors to come together and lift up and explore some of the things that are possible when one thinks of the arts as not being confined to a narrow sector, but woven and integrated into other things we care about.”

Discussions focused on using the arts and humanities to improve health and infrastructure and promote a healthy democracy. Participants included soprano Renee Fleming and actor Anna Deavere Smith. Doug Emhoff, the husband of Vice President Kamala Harris, was also scheduled to participate.

Radhika Fox, assistant administrator for the EPA's Office of Water, announced the first-ever artist-in-residence program “to unleash the power of arts and culture to support water restoration and climate resilient efforts around the country.”

To start, artists will be embedded in national estuaries and urban waters federal partnerships in six regions of the country: Seattle, New Mexico, Puerto Rico, greater Philadelphia, Boston and the New York-New Jersey area. Each watershed will receive $200,00 to support the artist.

Jackson and Health and Human Services Secretary Xavier Becerra will co-chair a new government-wide working group on the arts, health and civic infrastructure, working with federal agencies to find ways to include the arts and humanities in these areas. HHS and the NEA have a long history of working together to improve health using the arts, including through music, Becerra said.

NEA is also committing $5 million for an initiative to support the work of artists and arts organizations that contribute to the health and well-being of individuals and communities.

Separately, the NEA and the National Endowment for the Humanities are collaborating on United We Stand: Connecting through Culture, an initiative that leverages the arts and humanities to combat hate-fueled violence. The program was launched in 2023, a year after Biden convened a similarly named summit at the White House focused on countering violence motivated by hate.

NEH committed $3 million to the program in 2023, and NEA is offering an additional $2 million.

Shelly Lowe, chair of the NEH, said art has an important role to play in the humanities.

“Art gives you a good sense of people's cultures. That's through painting, that's through food, that's through performances and music,” Lowe said in an interview before the summit. “They're so tied together it's hard to separate the two.”

Biden's executive order said the arts, humanities and museum and library services are essential to the well-being, health, vitality and democracy of the nation.

“They are the soul of America,” Biden wrote in the order, adding that, under his leadership, they “will be integrated into strategies, policies and programs that advance the economic development, well-being and resilience of all communities, especially those that have historically been underserved.”

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January 31, 2024 at 02:18AM

Apple-Podcasts-Top-Podcasts

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Top New Shows (US):

1. Murder 101, iHeartPodcasts

2. The True Detective: Night Country Podcast, HBO

3. Native Land Pod, iHeartPodcasts

4. The Godmother, iHeart True Crime

5. Varnamtown, PodcastOne

6. The Salty Podcast, Devin Cordle

7. The High Roller Heist, Wavland

8. God’s Country, iHeartPodcasts and MeatEater

9. The Why with Dwayne Wade, iHeartPodcasts

10. Numbers on The Board, ESPN

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January 31, 2024 at 12:17AM

US-Apple-Books-Top-10

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Top Paid Books (US Bestseller List):

1. Random in Death by J. D. Robb (St. Martin’s Publishing Group)

2. Dead Man’s Hand by Brad Taylor (William Morrow)

3. In Five Years by Rebecca Serle (Atria Books)

4. First Lie Wins by Ashley Elston (Penguin Publishing Group)

5. Iron Flame by Rebecca Yarros (Entangled Publishing, LLC)

6. Fourth Wing by Rebecca Yarros (Entangled Publishing, LLC)

7. A Court of Thorns and Roses by Sarah J. Maas (Bloomsbury Publishing)

8. Only Say Good Things by Crystal Hefner (Grand Central Publishing)

9. House of Flame and Shadow by Sarah J. Maas (Bloomsbury Publishing)

10. The Heaven & Earth Grocery Store by James McBride (Penguin Publishing Group)

Top Paid Audiobooks (US Bestseller List):

1. Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones (Unabridged) by James Clear (Penguin Random House, LLC)

2. First Lie Wins: A Novel (Unabridged) by Ashley Elston (Penguin Random House, LLC)

3. Masters of the Air: America’s Bomber Boys Who Fought the Air War against Nazi Germany by Donald L. Miller (Blackstone Audio)

4. MeatEater’s American History: The Long Hunters (1761-1775) (Unabridged) by Clay Newcomb & Steven Rinella (Penguin Random House, LLC)

5. Only Say Good Things by Crystal Hefner (Hachette Audio)

6. Fourth Wing (Empyrean) by Rebecca Yarros (Recorded Books, Inc.)

7. Iron Flame (Empyrean) by Rebecca Yarros (Recorded Books, Inc.)

8. A Court of Thorns and Roses (Court of Thorns and Roses) by Sarah J. Maas (Recorded Books, Inc.)

9. Don’t Believe Everything You Think: Why Your Thinking Is the Beginning & End of Suffering (Unabridged) by Joseph Nguyen (Audible)

10. Can’t Hurt Me: Master Your Mind and Defy the Odds (Unabridged) by David Goggins (Audible)

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January 31, 2024 at 12:02AM

Apple TV app - Top Movies

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Apple TV app - Top Movies
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January 30, 2024 at 11:47PM

Monday, January 29, 2024

Documentary on 'We Are the World' goes deep inside recording session of starry 1985 charity single

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NEW YORK -- Thirty-nine years ago, the biggest music stars in the world crammed into a recording studio in Los Angeles for an all-night session that they hoped might alter music history.

“We Are the World” was a 1985 charity single for African famine relief that included the voices of Michael Jackson, Willie Nelson, Bob Dylan, Ray Charles, Diana Ross, Stevie Wonder, Smokey Robinson, Paul Simon, Tina Turner, Dionne Warwick, Lionel Richie, Billy Joel and Bruce Springsteen.

Fans get a chance to almost step into that recording session this month with the Netflix documentary “The Greatest Night in Pop,” a behind-the-scenes look at the complex birth of a megahit. It starts streaming Monday.

“It’s a celebration of the power of creativity and the power of collective humanity,” says producer Julia Nottingham. “The amazing thing about the song is it’s such an inspiration for so many artists.”

The filmmakers got fresh insights after landing interviews with Richie, Springsteen, Robinson, Cyndi Lauper, Kenny Loggins, Dionne Warwick and Huey Lewis — and for an added bonus spoke to them inside A&M Studios, the site of their triumph in 1985.

“I knew it was important to recreate those memories by just sort of walking into that room and what that energy created for them,” said director Bao Nguyen, who was only 2 when the single came out.

The filmmakers married never-before-seen footage taken from four cameras that captured the USA for Africa session with audio from journalist David Breskin, offering insight into the dynamics and drama in the room that the official music video could not.

“The Greatest Night in Pop” isn’t shy about exploring some of the more unflattering things, like Al Jarreau having a bit too much wine and how Dylan was out of his element, needing Wonder to mimic how the Nobel laureate might approach his solo.

Lauper accidentally prolonged the recording session because her jangling jewelry fouled up the recording, while Prince, who was at a Mexican restaurant on the Sunset Strip, offered to do an isolated guitar solo. Sheila E confesses she felt like she was invited to the recording session just to lure Prince in. In the end, Prince never made it, robbing the single of a Jackson-Prince double punch.

“For me, it was just important that we told a story that was honest,” said Nguyen. “It is an honest story about the night and all the things that could have gone wrong — that did go wrong — but at the end of the day, it became this beautiful family.”

The details in the doc are glorious: The image of Joel kissing then-wife Christie Brinkley before heading into the studio, and the nugget that Springsteen drove himself to the location in a Pontiac GTO. Other highlights: Watching singer-songwriter Joel explore an alternative lyric, the stars gathering around Wonder on a piano for the first run-through, and Richie, ever the ambassador, smoothing over potential disputes.

There’s a moment when the 40-plus superstars are asked to groove from their knees and stop pounding their feet on the risers, which was throwing off the sound. Producer Quincy Jones tried to head off any hubris by tapping up a sign: “Check Your Ego at the Door.”

In an interview with the AP at the Sundance Film Festival, Richie recalled that having Charles there was helpful, since he was revered. The presence of Dylan also helped neutralize any gripping.

“We got the right players to come in. And then once we realized we were trying to save people’s lives, then it’s not about us anymore,” Richie said. "But to deliver that in one night? An impossibility.”

The documentary anchors the effort in the activism of Harry Belafonte, who had raised the alarm about famine in Ethiopia, and having him in the studio singing “We Are the World” was poignant.

The group — exhausted and giddy in the wee hours — also serenaded the legend with a spontaneous version of Belafonte's “Banana Boat,” with the lyrics “Daylight come and we want to go home.”

It is revealed that Loggins suggested that Huey Lewis replace Prince in the solos, right after Jackson. No pressure, right? “It was just one line, but my legs were literally shaking,” Lewis recalls in the movie.

There was a key moment when Wonder suggested that some lyrics be sung in Swahili, an idea that prompted Waylon Jennings to balk. The idea was scrapped when it was learned that Swahili wasn't spoken in Ethiopia. There's also footage of Bob Geldof, who was a driving force behind Live Aid, inspiring the group in a speech before the session. The Live Aid concert would happen that summer.

The documentary also goes back to explore the events before the recording, like that song co-writers Jackson and Richie were still working on it 10 days before the recording session on Jan. 28, 1985. Once in the studio, footage captures superstars — no assistants allowed — nervously hugging. “It was like first day at Kindergarten,” Richie says.

The decision to pick that particular night to record the single was made in order to piggy-back off the influx of music royalty attending the American Music Awards, hosted by Richie, who performed twice and won six awards. The cream of the cream then made their way to the all-night recording session at A&M Studios.

Lauper, who dazzled everyone with her vocal prowess, was almost a no-show. Her boyfriend counseled her to skip the recording because he thought the single wouldn't be a hit. But Richie told her: “It’s pretty important for you to make the right decision. Don’t miss the session tonight."

Nottingham, the documentary producer, isn't sure such a similar recording session with music superstars could ever happen these days, especially with ever-present social media and armies of assistants.

“It was very ahead of its time in terms of it being the '80s and technology. But I would hope it would serve as an inspiration for other artists to keep trying and do these things for great causes.”

___

Associated Press journalist Ryan Pearson contributed to this report.

___

Mark Kennedy is at http://twitter.com/KennedyTwits

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January 30, 2024 at 01:02AM

Book Review: ‘Come and Get It’ takes readers back to school, blending gossip with weightier themes

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It’s always fun to read books that take you back to your formative years. Kiley Reid’s sophomore novel, “Come & Get It,” is set in Fayetteville, Arkansas, at the state university, where senior Millie Cousins works as a resident assistant.

Millie is a young woman with a plan. Born in nearby Missouri, she took a gap year after high school to work in Fayetteville and qualify for in-state tuition. She then missed another year while caring for her ailing mother. She’s majoring in hospitality with a minor in Spanish and at the ripe old age of 24, she’s already saving to buy a house. When we first meet her coordinating move-in day, Reid gives us this description: “She had rosy brown skin, a pear-shaped-form and an expanse of dark wavy hair... From the neck down, she looked like an adult poking fun at campus life, someone dressing like an RA for Halloween.”

Costumed or no, Millie’s an excellent RA. Efficient, empathetic, and understanding — at least when we first meet her. Enter Agatha Paul, a visiting writing professor, who meets Millie while looking for students to talk to for a book she’s researching about shifting generational attitudes toward weddings. It’s those conversations that really kick off the crux of the novel — the more Agatha talks to the young women, and to Millie, the more fascinated she becomes by their lives. When she starts hanging out more in Millie’s dorm, taking advantage of the thin walls to hear the collegiate dramas playing out in an adjacent suite, the plot kicks into high gear. Millie starts to see Agatha as more than a professor and Agatha starts to publish snippets about students in Teen Vogue and things get really messy.

Reid has a knack for descriptive phrases as we get to know all these characters. Here’s Resident Director Josh, who Millie crushes on a bit: “His arms made him look like the ideal person to find and ask to open a jar of anything.” And Peyton, one of the students in the dorm Millie oversees: “Peyton was boxy, a fact not helped by what looked to be an ill-fitting bra beneath her sweatshirt. … Her dark brown hair … lay on her hood like a paintbrush that needed to be soaked.”

Despite that gossipy setup, Reid creates a story with real weight. Her ear for dialogue — honed, no doubt, by the dozens of actual interviews she conducted with college students for this book — is finely tuned. It feels like you’re reading great gossip, but the characters come across as genuine, with real problems. “Come and Get It” is a fun, propulsive read that puts readers in a world most of them will have long since graduated from, but which provides an ideal window to explore deeper themes — from relationships to class and privilege to racism.

___

AP book reviews: https://ift.tt/Iy6OVXR

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January 30, 2024 at 12:02AM

N. Scott Momaday, Pulitzer Prize winner and giant of Native American literature, dead at 89

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NEW YORK -- N. Scott Momaday, a Pulitzer Prize-winning storyteller, poet, educator and folklorist whose debut novel "House Made of Dawn" is widely credited as the starting point for contemporary Native American literature, has died. He was 89.

Momaday died Wednesday at his home in Santa Fe, New Mexico, publisher HarperCollins announced. He had been in failing health.

“Scott was an extraordinary person and an extraordinary poet and writer. He was a singular voice in American literature, and it was an honor and a privilege to work with him,” Momaday's editor, Jennifer Civiletto, said in a statement. “His Kiowa heritage was deeply meaningful to him and he devoted much of his life to celebrating and preserving Native American culture, especially the oral tradition."

"House Made of Dawn," published in 1968, tells of a World War II soldier who returns home and struggles to fit back in, a story as old as war itself; in this case, home is a Native community in rural New Mexico. Much of the book was based on Momaday's childhood in Jemez Pueblo, New Mexico, and on his conflicts between the ways of his ancestors and the risks and possibilities of the outside world.

"I grew up in both worlds and straddle those worlds even now," Momaday said in a 2019 PBS documentary. "It has made for confusion and a richness in my life."

Despite such works as John Joseph Mathews' 1934 release “Sundown,” novels by American Indians weren’t widely recognized at the time of "House Made of Dawn." A New York Times reviewer, Marshall Sprague, even contended in an otherwise favorable review that "American Indians do not write novels and poetry as a rule, or teach English in top-ranking universities, either. But we cannot be patronizing. N. Scott Momaday's book is superb in its own right."

Like Joseph Heller’s “Catch-22,” Momaday’s novel was a World War II story that resonated with a generation protesting the Vietnam War. In 1969, Momaday became the first Native American to win the fiction Pulitzer, and his novel helped launch a generation of authors, including Leslie Marmon Silko, James Welch and Louise Erdrich. His admirers would range from the poet Joy Harjo, the country’s first Native to be named poet laureate, to the film stars Robert Redford and Jeff Bridges.

Over the following decades, he taught at Stanford, Princeton and Columbia universities, among other top-ranking schools, was a commentator for NPR, and lectured worldwide. He published more than a dozen books, from "Angle of Geese and Other Poems" to the novels "The Way to Rainy Mountain" and "The Ancient Child," and became a leading advocate for the beauty and vitality of traditional Native life.

Addressing a gathering of American Indian scholars in 1970, Momaday said, “Our very existence consists in our imagination of ourselves.” He championed Natives' reverence for nature, writing that "the American Indian has a unique investment in the American landscape." He shared stories told to him by his parents and grandparents. He regarded oral culture as the wellspring of language and storytelling, and dated American culture back not to the early English settlers, but also to ancient times, noting the procession of gods depicted in the rock art at Utah's Barrier Canyon.

"We do not know what they mean, but we know we are involved in their meaning," he wrote in the essay "The Native Voice in American Literature."

"They persist through time in the imagination, and we cannot doubt that they are invested with the very essence of language, the language of story and myth and primal song. They are 2,000 years old, more or less, and they remark as closely as anything can the origin of American literature."

In 2007, President George W. Bush presented Momaday with a National Medal of Arts "for his writings and his work that celebrate and preserve Native American art and oral tradition." Besides his Pulitzer, his honors included an Academy of American Poets prize and, in 2019, the Dayton Literary Peace Prize.

Momaday was married twice, most recently to Regina Heitzer. He had four daughters, one of whom, Cael, died in 2017.

He was born Navarre Scott Mammedaty, in Lawton, Oklahoma, and was a member of the Kiowa Nation. His mother was a writer, and his father an artist who once told his son, "I have never known an Indian child who couldn't draw," a talent Momaday demonstrably shared. His artwork, from charcoal sketches to oil paintings, were included in his books and exhibited in museums in Arizona, New Mexico and North Dakota. Audio guides to tours of the Smithsonian Institution's Museum of the American Indian featured Momaday's avuncular baritone.

After spending his teens in New Mexico, he studied political science at the University of Mexico and received a master's and Ph.D. in English from Stanford. Momaday began as a poet, his favorite art form, and the publication of "House Made of Dawn" was an unintentional result of his early reputation. Editor Fran McCullough, of what is now HarperCollins, had met Momaday at Stanford and several years later contacted him and asked whether he would like to submit a book of poems.

Momaday did not have enough for a book, and instead gave her the first chapter of "House Made of Dawn."

Much of his writing was set in the American West and Southwest, whether tributes to bears — the animals he most identified with — or a cycle of poems about the life of Billy the Kid, a childhood obsession. He saw writing as a way of bridging the present with the ancient past and summed up his quest in the poem "If I Could Ascend":

Something like a leaf lies here within me; / it wavers almost not at all, / and there is no light to see it by / that it withers upon a black field. / If it could ascend the thousand years into my mouth, / I would make a word of it at last, / and I would speak it into the silence of the sun.

In 2019, he was the subject of a PBS “American Masters” documentary in which he discussed his belief he was a reincarnation of a bear connected to the Native American origin story around Devils Tower in Wyoming. He told The Associated Press in a rare interview that the documentary allowed him to reflect on his life.

“I thought his voice was one of a storyteller. But because he had this poet ring to it, it took on a whole different tone,” Redford said in the film. “I think that’s why I got hooked on Scott.”

After more than a half-century since the publication of his first novel, Momaday said he was humbled that writers continued to say his work has influenced them. “I’m greatly appreciative of that, but it comes a little bit of a surprise every time I hear it,” Momaday said. “I think I have been an influence. It’s not something I take a lot of credit for.”

___

Former Associated Press writer Russell Contreras contributed to this report from Santa Fe, New Mexico.

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January 29, 2024 at 11:47PM

Sunday, January 28, 2024

See the moment climate activists throw soup at the 'Mona Lisa' in Paris

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PARIS -- Two climate activists hurled soup Sunday at the glass protecting the “Mona Lisa” at the Louvre Museum in Paris and shouted slogans advocating for a sustainable food system.

In a video posted on social media, two women with the words “FOOD RIPOSTE” written on their T-shirts could be seen passing under a security barrier to get closer to the painting and throwing soup at the glass protecting Leonardo da Vinci’s masterpiece.

“What’s the most important thing?” they shouted. “Art, or right to a healthy and sustainable food?”

“Our farming system is sick. Our farmers are dying at work,” they added.

The Louvre employees could then be seen putting black panels in front of the Mona Lisa and asking visitors to evacuate the room.

Paris police said that two people were arrested following the incident.

On its website, the Food Riposte group said the French government is breaking its climate commitments and called for the equivalent of the country's state-sponsored health care system to be put in place to give people better access to healthy food while providing farmers a decent income.

Angry French farmers have been using their tractors for days to set up road blockades and slow traffic across France to seek better remuneration for their produce, less red tape and protection against cheap imports. They also dumped stinky agricultural waste at the gates of government offices.

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January 29, 2024 at 04:26AM

French farmers aim to put Paris 'under siege' in tractor protest. Activists hurl soup at 'Mona Lisa'

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PARIS -- France's interior ministry on Sunday ordered a large deployment of security forces around Paris as angry farmers threatened to head toward the capital, hours after climate activists hurled soup at the glass protecting the “Mona Lisa” painting at the Louvre Museum.

French farmers are putting pressure on the government to respond to their demands for better remuneration for their produce, less red tape and protection against cheap imports.

French Interior Minister Gerald Darmanin held a security meeting Sunday before potential road blockades around Paris, his office said in a statement.

Darmanin ordered security forces to “prevent any blockade” of Rungis International Market and Paris airports as well as to ban any convoy of farmers from entering the capital, the statement said.

Farmers of the Rural Coordination union in the Lot-et-Garonne region, where the protests originated, plan to use their tractors to head Monday toward the Rungis International Market, which supplies the capital and surrounding region with much of its fresh food.

France's two biggest farmers unions said in a statement that their members based in areas surrounding the Paris region would seek to block all major roads to the capital, with the aim of putting the city “under siege,” starting from Monday afternoon.

Earlier Sunday, two climate activists hurled soup Sunday at the glass protecting the “Mona Lisa” and shouted slogans advocating for a sustainable food system.

In a video posted on social media, two women with the words “FOOD RIPOSTE” written on their T-shirts could be seen passing under a security barrier to get closer to the painting and throwing soup at the glass protecting Leonardo da Vinci’s masterpiece.

“What’s the most important thing?” they shouted. “Art, or right to a healthy and sustainable food?”

“Our farming system is sick. Our farmers are dying at work,” they added.

The Louvre employees could then be seen putting black panels in front of the Mona Lisa and asking visitors to evacuate the room.

Paris police said that two people were arrested following the incident.

On its website, the “Food Riposte” group said the French government is breaking its climate commitments and called for the equivalent of the country's state-sponsored health care system to be put in place to give people better access to healthy food while providing farmers a decent income.

Angry French farmers have been using their tractors for days to set up road blockades and slow traffic across France. They also dumped stinky agricultural waste at the gates of government offices.

On Friday, the government announced a series of measures that farmers said don't fully address their demands. Those include “drastically simplifying” certain technical procedures and the progressive end to diesel fuel taxes for farm vehicles.

France's new prime minister, Gabriel Attal, visited a farm on Sunday in the central region of Indre-et-Loire. He acknowledged that farmers are in a difficult position because “on the one side we say ‘we need quality’ and on the other side ’we want ever-lower prices.'”

“What’s at stake is finding solutions in the short, middle and long term,” he said, “because we need our farmers.”

Attal also said his government is considering “additional” measures against what he called “unfair competition” from other countries that have different production rules and are importing food to France.

He promised “other decisions” to be made in the coming weeks to address farmers' concerns.

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January 29, 2024 at 12:02AM

A trial in Jam Master Jay's 2002 killing is starting, and testing his anti-drug image

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NEW YORK -- For almost two decades, the 2002 killing of Run-DMC’s Jam Master Jay stood as one of the hip-hop world’s most infamous and elusive crimes, one of three long-unsolved slayings of major rap stars.

Now Jay’s case is the first of those killings to go to trial. Opening statements are set for Monday in the federal murder trial of Karl Jordan Jr. and Ronald Washington, who were arrested in 2020.

“A brazen act,” then-Brooklyn U.S. Attorney Seth DuCharme said at the time, “has finally caught up with them.”

Washington and Jordan are accused of gunning down Jay in his recording studio over a drug dispute, a prosecution narrative challenging the public understanding of a DJ known for his anti-drug advocacy. They have pleaded not guilty, as has a third defendant who was charged this past May and will be tried separately.

Jay, born Jason Mizell, formed Run-DMC in the early 1980s with Darryl “DMC” McDaniels and Joseph Simmons, known as DJ Run and Rev. Run. Together, the hat-wearing, Adidas-loving friends from the Hollis section of Queens built a rap juggernaut that helped the young genre go mainstream.

They were the first rappers with gold and platinum albums and a Rolling Stone cover. They were the first hip-hop group with a video on MTV, where their subsequent 1986 collaboration with Aerosmith on the classic rockers' “Walk This Way” would bust through a wall between rap and rock, literally doing so in the accompanying music video. The group was inducted into the Rock & Roll Hall of Fame in 2009.

“We always knew rap was for everyone,” Jay said in a 2001 MTV interview. "Anyone could rap over all kinds of music."

Embracing rock sounds, rap wordplay and New York attitude, Run-DMC notched hits talking about things ranging from their fame to people's foibles, including perhaps the only top-100 reference to somebody accidentally eating dog food.

The group also made clear where they stood on drugs and crime.

“We are not thugs, we don’t use drugs,” they declared on the platinum-selling 1987 single “It's Tricky.” The group did an anti-drug public service announcement and shows, called for a day of peace between warring Los Angeles gangs, established scholarships and held voter registration drives at concerts.

Along the way, Jay opened a 24/7 studio in Hollis and a label, mentoring up-and-comers including 50 Cent.

Jay was killed at that studio on Oct. 30, 2002. His death followed the drive-by shootings of Tupac Shakur in 1996 and The Notorious B.I.G. in 1997, a trio of hip-hop tragedies that frustrated investigators for decades. A man was charged in September in Shakur’s killing in Las Vegas and has pleaded not guilty; no one has been arrested in The Notorious B.I.G.’s slaying in Los Angeles.

More than $60,000 in rewards were offered for information on Jay’s death. Theories abounded. Police received enough tips to fill 34 pages, according to a court filing. But the investigation languished as investigators said they ran up against reluctant witnesses.

Prosecutors have said in court papers that the case took crucial strides in the last five years as they interviewed new people, did more ballistics tests and got important witnesses to cooperate, among other steps.

But defense lawyers have claimed the government dragged its feet in indicting Washington and Jordan, making it harder for them to defend themselves.

Authorities say the two men confronted Jay in his studio after being buzzed in. Prosecutors allege Washington brandished a gun and ordered a witness to lie on the floor, and Jordan shot the 37-year-old DJ in the head and another witness in the leg.

The motive, according to prosecutors: anger that Jay was going to cut Washington out of a plan to distribute 10 kilograms (22 pounds) of cocaine in Maryland. Prosecutors maintain the DJ had been mixed up in kilo-level coke deals since 1996. His family has insisted he wasn't involved with drugs.

Investigators were quick to eye Washington, who reportedly had been living on Jay’s couch. Washington already had a record of gun, assault, drug and other convictions, and authorities said he went on a robbery spree after Jay's death, hopping among motels until being arrested three months later in the hold-ups, authorities said.

He had told authorities and Playboy magazine in 2003 that he was present during Jay's killing but the armed men were Jordan and another man. Prosecutors publicly identified him in 2007 as a suspect.

After being arrested in the shooting — while still in prison for the robberies — he told agents he “never wanted someone else to get in trouble for something he (Washington) had put them up to," prosecutors said in court papers.

Lawyers for Washington, 59, have said in court papers that he didn't match DNA on a wool hat found at the crime scene, and they have raised questions about a witness' identification of him. A message sent Friday seeking comment on the upcoming trial was not immediately returned by his lead attorney, Susan Kellman.

Prosecutors have portrayed Jordan in court filings as a veteran drug dealer who boasted about his activities in his own raps, including a video called “Silver Spoon” — filmed in front of a mural of Jay — and a gun-filled clip titled ”Aim for the Head." Authorities say they have their own videos, too: recordings of him repeatedly selling cocaine to an undercover agent in 2017.

Jordan, 40, has pleaded not guilty to gun and cocaine charges that will be decided at the murder trial. Judge LaShann DeArcy Hall said in 2020 she is "not going to hold any individual accountable for the lyrics in a rap song that is consumed by our community — and, in fact, it’s consumed by me,” according to the New York Daily News.

Jordan's lead lawyer, Mark DeMarco, declined to comment ahead of the trial. In court papers, he has said Jordan “adamantly denied his involvement in the murder” and was at his then-girlfriend’s home when it happened.

He considered Jay to be family, since the DJ grew up across the street from Jordan's father, his defense wrote.

If convicted, Washington and Jordan face at least 20 years in prison. The government has said it would not seek the death penalty.

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January 28, 2024 at 02:41PM

Saturday, January 27, 2024

Charges against country singer Chris Young in Nashville bar arrest have been dropped

Repost Ent dalamlima.blogspot.com

NASHVILLE, Tenn. -- A district attorney in Tennessee has dropped charges against country singer Chris Young stemming from an encounter with Alcoholic Beverage Commission agents who were doing compliance checks.

In a statement released Friday, Nashville District Attorney Glenn Funk said charges against Young were dismissed “after a review of all the evidence.”

Young was arrested Monday night and charged with assaulting an officer, disorderly conduct and resisting arrest, news outlets reported, citing arrest affidavits.

The agents were checking the Tin Roof bar in Nashville when they asked to see Young's identification, the arrest affidavit said. Young then began questioning and video recording the agents.

He and others followed the agents into a neighboring bar called the Dawg House, the affidavit said. As the agents were leaving that bar, Young put his hands out to stop them and struck one agent on the shoulder, according to the affidavit. That agent then pushed the singer to create distance between them, the affidavit said.

When another agent approached Young, the singer stepped back and declined to follow orders, so he was arrested, the affidavit said. While agents were attempting to leave, multiple people with Young started following them, creating a hostile situation, the affidavit said.

Young's attorney, Bill Ramsey, had said in a statement after the arrest that the singer should never have been arrested and that the agents should "apologize for the physical, emotional and professional harm done towards my client.”

In a later statement after the charges were dropped, Ramsey said he and Young "are gratified with the DA’s decision clearing him of the charges and any wrongdoing.”

Young is known for songs that include “Tomorrow” and “Getting You Home.”

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January 28, 2024 at 01:26AM

Friday, January 26, 2024

Prominent celebrity lawyer pleads guilty to leaking documents to reporters in Fugees rapper's case

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WASHINGTON -- A prominent defense attorney whose star clients have included Snoop Dogg pleaded guilty Friday to leaking grand jury information to reporters about a political conspiracy case against a rapper from the Fugees.

David Kenner, a California-based attorney known for his representation of celebrities like Suge Knight and Tory Lanez, was sentenced to a year of unsupervised probation after pleading guilty to a misdemeanor contempt of court charge. He also agreed to pay a $5,000 fine.

Federal prosecutors say Kenner was representing Prakazrel “Pras” Michel, a founding member of the Fugees, when he gave grand jury information and photos to two reporters for Bloomberg News for “defense-oriented” stories that ran in March 2023, shortly before the start of the Washington, D.C. trial. Michel's trial included testimony from such figures as actor Leonardo DiCaprio and former U.S. Attorney General Jeff Sessions.

As is typical in criminal cases, Kenner had gotten access to evidence in order to prepare Michel's defense, but had been ordered by the court not to share the information, prosecutors said.

Kenner’s attorney said in court documents that the reporters originally agreed to sign a protective order, but later changed their minds. A Bloomberg News spokesperson declined to comment.

Kenner, 82, told the judge who sentenced him that he was reckless for not taking steps to terminate the reporters' access to grand jury information. He described it as a “low point” in his 56-year legal career.

“Obviously, I made a terrible mistake,” Kenner said.

Michel was eventually convicted of all 10 counts, including conspiracy and acting as an unregistered agent of a foreign government. The Grammy-winning rapper faces up to 20 years in prison on the top counts.

Michel is now pushing for a new trial in the case. His new attorney, Peter Zeidenberg, says Kenner made a host of errors. That included bungling closing arguments by using an artificial intelligence program. Once touted as the first use of generative AI in a federal trial, the closing arguments included Kenner misattributing a famous lyric from a song by the rapper Diddy to the Fugees, according to court documents.

The charge to which Kenner pleaded guilty carries a maximum prison sentence of six months, but U.S. District Judge Amit Mehta said a term of imprisonment or home detention wasn’t warranted. His probation term will be unsupervised under the terms of a plea agreement he struck with prosecutors.

Mehta initially expressed surprise that prosecutors agreed to a sentence without a fine. Mehta said a $5,000 fine — the maximum amount allowed under the statute — may be a “small but symbolic” addition to the sentence.

L. Barrett Boss, one of the defense attorneys, said Kenner was planning to retire after Michel’s trial. But Boss said Kenner is “very strained financially” because he spent $1.4 million “out of pocket” on Michel’s defense.

A spokeswoman for Michel said the conviction reflects a breach of client trust. "While Mr. Kenner argues that he was merely trying to mount the best possible defense for Pras Michel, his client, Mr. Kenner’s reckless actions crossed critical ethical lines, failed his duties as counsel, and ultimately have cost him dearly," Erica Dumas said.

Michel was charged with funneling money from a Malaysian financier to Barack Obama’s 2012 reelection campaign through straw donors, then trying to squelch a Justice Department investigation and influence an extradition case on behalf of China under the Trump administration.

The financer, Low Taek Jho, also helped finance Hollywood films, including “The Wolf of Wall Street," which starred DiCaprio. Jho has since been accused of masterminding a money laundering and bribery scheme that pilfered billions from the Malaysian state investment fund known as 1MDB. He is now an international fugitive and has maintained his innocence.

Kenner had argued during the trial Michel simply wanted to make money and got bad legal advice as he reinvented himself in the world of politics.

_____

Whitehurst reported from Philadelphia.

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January 27, 2024 at 11:47AM

A British painting stolen by mobsters is returned to the owner's son — 54 years later

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An 18th century British painting stolen by mobsters in 1969 has been returned more than a half-century later to the family that bought the painting for $7,500 during the Great Depression, the FBI’s Salt Lake City field office announced Friday.

The 40-inch-by-50-inch (102-cm-by-127-cm) John Opie painting — titled “The Schoolmistress” — is the sister painting of a similar work housed in the Tate Britain art gallery in London.

Authorities believe the Opie piece was stolen with the help of a former New Jersey lawmaker then passed among organized crime members for years before it ended up in the southern Utah city of St. George. A Utah man had purchased a house in Florida in 1989 from Joseph Covello Sr. — a convicted mobster linked to the Gambino family — and the painting was included in the sale, the FBI said.

When the buyer died in 2020, a Utah accounting firm that was seeking to liquidate his property sought an appraisal for the painting and it was discovered to likely be the stolen piece, the FBI said.

The painting was taken into custody by the agency pending resolution of who owned it and returned on Jan. 11 to Dr. Francis Wood, 96, of Newark, the son of the painting's original owner, Dr. Earl Wood, who bought it during the 1930s, the FBI said.

Opie was a British historical and portrait painter who portrayed many people, including British royals. His paintings have sold at auction houses including Sotheby’s and Christies, including one that sold in 2007 for almost $1 million.

“This piece of art, what a history it’s had,” said FBI Special Agent Gary France, who worked on the case. "It traveled all through the U.K. when it was first painted, and owned by quite a few families in the U.K. And then it travels overseas to the United States and is sold during the Great Depression and then stolen by the mob and recovered by the FBI decades later. It’s quite amazing.”

According to the FBI, “The Schoolmistress” was taken from Earl Wood's house by three men working at the direction of former New Jersey state Sen. Anthony Imperiale, who died in 1999. Imperiale, a political firebrand who also served as a Newark city councilman, was in the national spotlight in the 1960s as a spokesman for cracking down on crime. He was also divisive, organizing citizen patrols to keep Black protesters out of Italian neighborhoods during riots in Newark in the summer of 1967.

Authorities say the thieves broke into the house in July 1969 in a bid to steal a coin collection, but were foiled by a burglar alarm. Local police and Imperiale responded to the attempted burglary, and the home's caretaker told the lawmaker that the Opie painting in the home was “priceless,” the FBI said.

The men returned to the house later that month and stole the painting, the FBI said.

One of the thieves, Gerald Festa, later confessed to the burglary, in the 1975 trial of an accomplice, and said the trio been acting under Imperiale. Festa said the thieves had visited Imperiale prior to the theft and were told by the lawmaker where to find the painting in Wood's home, the FBI said. Festa also testified that Imperiale had the painting.

But the claims against the state lawmaker were not sufficiently corroborated and he was never charged, France said.

No charges have been filed by the FBI since the painting's recovery because all of those believed to have been involved are dead, France said. The three men who stole the painting were all convicted of other mob-related crimes before their deaths, he said.

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January 27, 2024 at 03:11AM

Thursday, January 25, 2024

Lorrie Moore and Naomi Klein among nominees for National Book Critics Circle awards

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NEW YORK -- Lorrie Moore, Naomi Klein and the Egyptian writer Ahmed Naji are among the finalists for National Book Critics Circle awards. Honorary prizes are going to Judy Blume and to a longtime ally of Blume's in the fight against book bans, the American Library Association.

On Thursday, the critics circle announced nominees in seven competitive categories, ranging from fiction to debut book to best translation. Winners will be announced March 12.

Moore is a finalist for fiction, cited for “I Am Homeless if This Is Not My Home,” one of the few novels from an author best known for short stories. The other fiction nominees are Justin Torres' “Blackouts,” winner of the National Book Award last fall; Teju Cole's “Tremor,” Daniel Mason's “North Woods”; and Marie NDiaye's “Vengeance Is Mine,” translated from the French by Jordan Stump.

Klein's “Doppelganger: A Trip into the Mirror World,” her exploration of the Internet and the spread of misinformation, is a finalist for criticism. Also nominated were Grace E. Lavery's “Pleasure and Efficacy: Of Pen Names, Cover Versions, and Other Trans Techniques,” Tina Post's “Deadpan: The Aesthetics of Black Inexpression,” Nicholas Dames' “The Chapter: A Segmented History from Antiquity to the Twenty-First Century” and Myriam Gurba's "Creep: Accusations and Confessions," essays by the author who became a prominent critic of the lack of diversity in publishing.

Naji, convicted in Egypt in 2016 for “violating public modesty” in his novel “Using Life,” is a finalist in autobiography for “Rotten Evidence: Reading and Writing in an Egyptian Prison," translated by Katharine Halls. Naji's imprisonment led to international criticism and to his receiving the Freedom to Write Award from PEN America. His conviction was overturned the following year, and he left the country in 2019, eventually settling in the U.S. The other nominees are Safiya Sinclair's acclaimed memoir “How to Say Babylon,” Matthew Zapruder's “Story of a Poem,” Susan Kiyo Ito's “I Would Meet You Anywhere," and David Mas Masumoto's “Secret Harvests,” with artwork by Patricia Wakida.

In biography, the nominees were Jonathan Coe's Martin Luther King book, “King"; Gregg Hecimovich, The Life and Times of Hannah Crafts"; Yunte Huang's “Daughter of the Dragon: Anna May Wong’s Rendezvous with American History”; Rachel Shteir's “Betty Friedan,” and Jonny Steinberg's “Winnie and Nelson,” about the Mandelas.

The poetry finalists were Saskia Hamilton's “All Souls,” Kim Hyesoon's “Phantom Pain Wings,” Romeo Oriogun's “The Gathering of Bastards," Robyn Schiff's “Information Desk” and Charif Shanahan's “Trace Evidence.”

In translation, Kareem Abdulrahman was nominated for his translation from the Kurdish of Bachtyar Ali's “The Last Pomegranate Tree, and Natascha Bruce for her translation from the Chinese of Dorothy Tse's ”Owlish." The other finalists were Don Mee Choi's translation from the Korean of Kim Hyesoon's “Phantom Pain Wings,” Todd Fredson's translation from the French/Bété of Azo Vauguy's “Zakwato & Loglêdou’s Peril,” Maureen Freely’s translation from the Turkish of the late Tezer Özlü's “Cold Nights of Childhood" and Tiffany Tsao’s translation from the Indonesian Norman Erikson Pasaribu's ”Happy Stories, Mostly."

Nominees for the John Leonard Prize for Best First Book, named for the late critic and co-founder of the critics circle, are Ariana Benson's “Black Pastoral,” Emilie Boone's “A Nimble Arc,” Victor Heringer's “The Love of Singular Men,” Tahir Hamut Izgil's “Waiting to Be Arrested at Night," Donovan X. Ramsey's “When Crack Was King” and Martin J. Siegel's “Judgment and Mercy.”

Besides Blume and the library association, honorary awards will be presented to Washington Post critic Becca Rothfield for excellence in reviewing and to Marion Winik of NPR's “All Things Considered” for service to the literary community.

The book critics circle, founded in 1974, consists of hundreds of reviewers and editors from around the country.

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January 26, 2024 at 04:11AM

In 'Expats,' directed by Lulu Wang, Nicole Kidman is happy to share the limelight

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Nicole Kidman captivated TV viewers in 2020 in “The Undoing,” as a woman whose husband was accused of murder. In “Big Little Lies,” she was a woman in an abusive marriage. And let's not forget she won an Oscar for playing 20th century writer Virginia Woolf, who battled mental illness, in the 2002 movie “The Hours.”

In her new series “Expats,” premiering Friday on Amazon Prime Video, Kidman once again emotionally jumps off a cliff. At the center of “Expats" are three women, played by Kidman, ‎Ji-young Yoo and ‎Sarayu Blue, who are each expatriates living in Hong Kong. Their lives are all altered when the young son of Kidman's character, Margaret, goes missing.

Lulu Wang ( “The Farewell” ) directed and was the showrunner of the six-episode series, filmed on location in Hong Kong.

“When Nicole came to me, to make the series, I just felt like she was meeting me at the height of the success of ‘The Farewell.’ But people who know me from childhood know we were immigrants (from China),” Wang says. “I felt like the series had to represent that aspect of my life, like, yes, I’m an American expat in certain contexts, but in another context, I’m a Chinese immigrant. I wanted to really challenge this idea of a bubble that expats have.”

An idea that Wang had was to make the fifth episode some 90 minutes and focus on the domestic workers, expats themselves and tasked with keeping other women’s households running.

“Imagine you’ve just met Nicole Kidman and you’re like, ‘Hey, I’ve got this idea for an episode and you’re in the background. What do you think about it?’” Wang laughs.

An executive producer, Kidman wasn’t just receptive to Wang’s thoughts and ideas — they spoke to a true career passion, championing others.

“What I want to do at this point in my life and career is support women like this and support the new visionaries and auteurs that are coming up and try to create paths for them,” Kidman says.

“I had never worked with a writer's room before," Wang says. "It’s a very sort of solitary task to write usually. Here it was a room of women, helping to develop the story.”

One of those writers on the show was Janice Y. K. Lee, whose novel “The Expatriates” inspired the series.

“She was so not precious about the book. And the reason, honestly, I wanted her in the room was so that we couldn’t mess things up and so that she would be involved in the process,” Wang explains. "You can’t get better research than having the person who experienced it and wrote it in the room. ... We would always reference the book and quote it back to her, and she was always quite embarrassed.”

In addition to the women in front of and behind the camera, Kidman is happy to share her spotlight with Brian Tee, who plays her husband.

“I'm so happy he's gotten the chance to do this and to act opposite him,” she says, adding that, as on-screen spouses, they were bonded by trauma.

“We really helped each other. We were very much each other’s best friend and support system. And because we’re playing a married couple whose child is missing, we’re doing that together,” she says.

To go to those emotional places as Margaret “was harrowing at times,” admits Kidman, who says she had to lose herself in the moment. “It's an exploration. ... It’s like, put me in the place, put me in the scene, and let’s go off to the objective and whatever comes through will come through.”

___

Associated Press journalist John Carucci contributed to this story from New York.

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January 26, 2024 at 01:17AM

Herbert Coward, known for Toothless Man role in 'Deliverance,' dies in North Carolina highway crash

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Authorities say Herbert Coward, known for his “Toothless Man” role in the movie “Deliverance,” has died in a crash on a western North Carolina highway

Herbert Coward, known for his "Toothless Man” role in the movie “Deliverance,” died Wednesday in a crash on a western North Carolina highway, according to authorities. He was 85.

The crash happened Wednesday afternoon as Coward and Bertha Brooks, 78, left a doctor’s appointment, North Carolina Highway Patrol Sgt. M.J. Owens said by telephone on Thursday. Coward pulled out onto U.S. Route 19 in front of a pickup truck, which hit his car, Owens said. Coward and Brooks as well as a Chihuahua and pet squirrel were killed, he said. Coward, who lived in Haywood County, was famous locally for having a pet squirrel, he said.

The 16-year-old driver of the truck was taken to a hospital as a precaution. Authorities don’t believe speed or distraction were factors in the crash, Owens said.

Coward had a small but memorable role in John Boorman’s 1972 classic “Deliverance.” The film starred Jon Voight, Burt Reynolds, Ned Beatty and Ronny Cox as a group of businessmen canoeing down a river in remote Georgia. Their adventure turns into a backwoods nightmare when local mountain men assault them.

Coward’s character, known as the “Toothless Man” for his missing front teeth, is one of the men who hold several of the paddlers at gunpoint while one is sodomized. Coward became the indelible face to one of the most infamous scenes in 1970s cinema, contributing the line, “He got a real purty mouth, ain’t he?”

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January 26, 2024 at 01:02AM

Artist who performed nude in 2010 Marina Abramovic exhibition sues MoMA over sexual assault claims

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ALBANY, N.Y. -- A performer who appeared naked in a show by world-renowned performance artist Marina Abramovic at New York City’s Museum of Modern Art is suing the museum, saying it failed to take action after he was sexually assaulted multiple times by attendees during the performances nearly 14 years ago.

The suit was filed in Manhattan on Monday under the New York Adult Survivors Act, a special state law that created a yearslong suspension of the usual time limit for accusers to sue. Although the law expired last year, the suit says the parties agreed to extend the window closing.

John Bonafede alleges in the suit that he was sexually assaulted by five public onlookers who attended a show he was hired by the museum to perform in as part of Abramovic’s retrospective “The Artist Is Present.”

Email messages sent to the museum this week were not returned. Abramovic is not named as a defendant and did not immediately return a request for comment.

The work, titled “Imponderabilia,” saw Bonafede and another performer standing face-to-face with each other in a doorway about 18 inches (45.7 centimeters) apart, fully nude, silent, and still. The exhibition, which ran from March 14, 2010 through May 31, 2010, was curated by the museum in a way that encouraged visitors to pass in between the performers as they went from one gallery to the next, the suit alleges.

The people who assaulted Bonafede were mostly older men, the suit says. One of the perpetrators was a corporate member of the museum, who was ultimately kicked out and revoked of his membership, according to the suit.

During the final weeks of the exhibition, another attendee non-consensually groped Bonafede's private areas three times before they were finally stopped by security, the suit said.

Bonafede reported four of the individuals to the museum staff and security immediately, according to the suit, while the fifth was witnessed personally by the museum security staff.

At one point, Bonafede also witnessed a public attendee sexually assault his female co-performer by kissing her on the mouth without her consent, the suit said.

Prior to the exhibition, the performers had voiced their concerns about nude performers being subject to harassment in a letter to the museum during contract negotiations, the suit said.

Once it began, several news outlets including the New York Times reported on the inappropriate behavior by visitors, and the sexual assaults on “Imponderabilia” were discussed within New York City’s art and performance communities, the suit says.

But despite the museum having knowledge of the issue, it failed to take action to protect the performers and prevent further sexual assaults, such as telling visitors ahead of time that touching was not allowed. the lawsuit said.

About a month into the exhibition, the museum created a handbook outlining protocols for the performers to alert museum staff if they felt unsafe or were inappropriately touched.

Bonafede agreed to continue the performance after he was assaulted because of the “tough it out” culture of the exhibition, the suit says, but suffered for years from emotional distress, and his mental health, body image and career were damaged as a result.

The Associated Press generally does not name people who say they have been sexually assaulted unless they come forward publicly. Bonafede gave consent through his lawyer, Jordan Fletcher.

Fletcher declined to comment further on the suit, but said they will be seeking a jury trial and compensatory damages.

___

Maysoon Khan is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues.

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January 26, 2024 at 12:47AM

Wednesday, January 24, 2024

Movie Review: 'Miller's Girl' with Jenna Ortega is an airless, cold affair that fails to spark

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Jenna Ortega's stark rise as Gen Z's goth-glam princess takes a pointless, awkward turn in “Miller’s Girl,” a new romantic horror movie about cerebral people that's simply tiresome.

Written and directed by newcomer Jade Halley Bartlett, the movie retells the classic story of a teenage girl smitten by her older teacher and a tumble into seduction. It wants to be close to Vladimir Nabokov, but it's more “Don't Stand So Close to Me” by The Police.

Ortega stars as 18-year-old Tennessee student Cairo Sweet, a precocious and wealthy young lady with a tragic, icy cool personality. “Literature is my solace in the solitude and writing is my only means of escape,” she says, like most 18-year-olds do.

Sweet is the kind of student who reads the long list of suggested texts before school even starts and devours “Finnegans Wake” of her own volition. She has a 4.6 GPA and “crippling ennui." She also dresses like Britney Spears circa “…Baby One More Time.”

Sweet latches onto unmoored literature teacher Jonathan Miller, a former writer — author of “Apostrophes and Ampersands: Six Abysmally Romantic Short Stories” — who hasn't put pen to paper since he got married and started teaching. He's played by a hangdog Martin Freeman, wonderfully anguished and pained.

“You’re not a writer,” his wife baits him. “You chose to be a teacher. Why would I see you as anything else?” She's played by Dagmara Domińczyk, a half-drawn woman who is constantly working, prickly and hurtful. To prove that she's wise, she uses words like “vituperation.”

Our unhappy Miller begins spending more and more time with his prize student, awakened by her writing skills and her apparent interest in him. “You’re exceptionally talented,” he tells her. Her hunger for approval almost bursts through the screen.

They sit around and quote memorized passages of each others' work to the other. “You do see me and I see you,” she tells him. There are as many red flags waving as during hurricane season.

“Teenage girls are dangerous,” his wife says. “They’re full of emotional violence and vituperation. I hope you know what you’re doing.” He doesn't.

Ortega mimics much of her chilly Wednesday Addams in the role, undercurrents of savagery popping up now and again through the shivering stillness. There's no warmth here. Mr. Miller is being seduced by a copy of the Paris Review.

Fact and fantasy get confused between these two. Are they really lovers? Or might it all be in her head? Bartlett coyly sidesteps the depth of their relationship to leave you hanging until the end — and so whatever the filmmaker is trying to say is left hanging, too. Maybe something about the confusing lines of power, or maybe that writers are really awful people?

Two other characters — Bashir Salahuddin as another teacher and Gideon Adlon as Sweet's vampy, lollipop-licking friend — are genuinely much more interesting and so unbalance the main would-be couple.

Bartlett lets the first half drag way too long, establishing over and over the characters' plight, getting lost in the forest mist that Sweet keeps emerging from, bizarrely and with no subtlety. The second half is agonizing — all arguments and tears. Taken together, this movie might be less fun than taking the SATs.

It’s notable that Bartlett's airless script, which landed among the top unproduced screenplays in 2016, predates #MeToo and feels wholly out of its time in 2024. Do we really need a spiteful Lolita threatening to lob grenades into her rivals' lives and careers? Bartlett seems to have lots to say at the beginning about art and passion, but ends with nothing other than seemingly not to believe women. That couldn't have been her intention.

“Miller's Girl,” a Lionsgate release that hits theaters Friday, is rated R for “sexual content, language throughout, some teen smoking and drinking.” Running time: 93 minutes. One star out of four.

___

MPAA definition of R: Restricted. Under 17 requires accompanying parent or adult guardian.

___

Online: https://ift.tt/Z1naCDA

___

Mark Kennedy is at http://twitter.com/KennedyTwits

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January 25, 2024 at 03:26AM

Jon Stewart will return to 'The Daily Show' as host — just on Mondays

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NEW YORK -- Comedian Jon Stewart is rewinding the clock, returning to “The Daily Show” as a weekly host and executive producing through the 2024 U.S. elections cycle.

Comedy Central on Wednesday said Stewart will host the topical TV show, the perch he ruled for 16 years starting in 1999, every Monday starting Feb. 12. A rotating lineup of show regulars are on tap for the rest of the week.

“Jon Stewart is the voice of our generation, and we are honored to have him return to Comedy Central’s The Daily Show to help us all make sense of the insanity and division roiling the country as we enter the election season,” Chris McCarthy, president and CEO of Showtime/MTV Entertainment Studios, said in a statement. “In our age of staggering hypocrisy and performative politics, Jon is the perfect person to puncture the empty rhetoric and provide much-needed clarity with his brilliant wit.”

Over the years, “The Daily Show” — first hosted by Craig Kilborn, then Stewart and Trevor Noah — has skewered the left and right by making the media a character and playing it absolutely straight, no matter how ridiculous.

The show, which won an Emmy Award this month for best talk series, has not had a permanent host since Noah left last year. Current correspondents include Desi Lydic, Michael Kosta, Ronny Chieng and Jordan Klepper.

Stewart didn't leave the show in anger in 2015 and has spoken fondly of it over the years.

“When you lose that structure, you’re untethered from the thing that prevents the bad mind from doing its corrupt best,” he said on the Strike Force Five podcast during the Hollywood strikes last year. "It goes south and dark really fast.”

“It’s not like I thought the show wasn’t working any more, or that I didn’t know how to do it. It was more, ‘Yup, it’s working. But I’m not getting the same satisfaction,’” he told the Guardian newspaper in 2015.

The show’s long-term legacy as a talent incubator is sterling, becoming a launching pad for the likes of John Oliver, Larry Wilmore, Olivia Munn, Samantha Bee, Roy Wood Jr. and Aasif Mandvi. Stewart was awarded the Kennedy Center's Mark Twain Prize for American Humor in 2022.

Two former correspondents in particular got massive boosts — Steve Carell and Stephen Colbert. Carell went on to an Oscar- and Emmy-nominated acting career in “The Office” on TV and films like ”Anchorman: The Legend of Ron Burgundy" and “Foxcatcher.” Colbert led the spinoff Comedy Central show “The Colbert Report" from 2005 to 2014 and now is host of CBS' "The Late Show with Stephen Colbert.”

Recently, Stewart's “The Problem With Jon Stewart,” which debuted in 2021, was canceled on the Apple TV+ streaming service. It took on polarizing topics such as racism, climate change, mass incarceration and gun control, but its stridency rubbed some critics the wrong way.

The Los Angeles Times in a review said, “The host spends some time searching for his old rhythm, the soft-loud-soft approach, in which he rockets from calm to horror to a person crouched in a corner croaking 'help.'”

The show's abrupt end was reportedly triggered due to clashes between Stewart and Apple over its coverage of stories around China and artificial intelligence.

A spokesperson did not immediately respond to questions about who will host “The Daily Show” after the November election. Stewart will serve as an executive producer through 2025, which the network said would also have him help shape the show’s future.

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Mark Kennedy is at http://twitter.com/KennedyTwits

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Jon Stewart will return to 'The Daily Show' as host — just on Mondays
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January 25, 2024 at 12:47AM